Tuesday, February 18, 2025

LycoRogue's Reading Corner: February

Est. Read Time: 40min
This Month's Font: Itim

Looks like I'm two-for-two with publishing my LycoRogue's Reading Corner update on time. I'll give myself props for at least getting it done in the correct month again. Baby steps.

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What hurts is that I was actually keeping pretty on-schedule to be able to get this published on the 15th, as intended. Then I tripped at the finish line. Naturally, there was Valentine's Day on Friday, and you probably know by now how my husband and I are big mushes. Granted, we didn't celebrate ON Valentine's Day since we were both busy, but we then made a point of spending time together after work on Saturday to make up for it. Either way, it meant that I was focused on something other than this update because of V'day. Plus, as I mentioned, I was busy on Friday, so that day was a loss as well.

The main distraction, however, was entirely of my own making. Literally. I'll discuss it more in my writing update at the end of the month, but I created a Discord server for me and my writing friends. I then distracted myself from finishing this update by working on/posting to that server for about two or three days. The entire time I thought, "I don't need to do this NOW. Work on the blog update." But then that little devil on my other shoulder whispered, "Nah... this is more important..."

Sooooooo.... yeah. Whoops.

With regard to reading, I have been focused exclusively on WEBTOON the past month. Zenmisery hasn't updated any of the stories she had been working on. Which.... fair. It's been extra rough for a lot of us Americans since the newest administration took hold. I get having different priorities than working on fanfiction. 

Not that there's a shortage of other fanfiction for me. Besides the thousands of fics already published to AO3, there's been a big resurgence lately. After over a year, season 6 of Miraculous Ladybug has finally started airing.

Except.... I haven't been watching any of it because the release order is even more messed up than normal.

For season 1, the release/watch order didn't really matter. The show was episodic. You could watch in whichever order and you'd be fine. The only stipulations were (1) keep the two-part "Origins" episodes together, and (2) have "Volpina" be the season finale.

For season 2, the story started to get a bit more serialized. Most of it remained episodic, but there was starting to be an overarching season-long plot. If you watched some late-season episodes before some early-season episodes the character development might feel off or you might get a minor spoiler.

Season 3 is when the watch order really started to matter. It's also when I decided to exclusively watch the series in production order, as opposed to the random toss-out of episodes that was the air order. Mostly because there was a pretty big spoiler in an episode that aired at least 9 episodes ahead of production order.

Even so, season 6 is, as I've mentioned, by far the worst. At least with the previous seasons, the two-part episodes aired back-to-back and in the correct order, the season finale was the final episode(s) to be aired, and - with the exception of season 1, when it didn't really matter - the first episode of each season was indeed the season premiere.

Until now...

Hacker Girl
Facebook sticker
by Birdman Inc

Four episodes have already aired, one of which was the ELEVENTH episode in production order.

We are still waiting for an air date for THE FIRST EPISODE OF SEASON 6! Whyyyyyyyy?

Supposedly, you can watch season 6 in any order, just like season 1 or 2, but I'm probably still going to wait until at least the FIRST EPISODE IN PRODUCTION ORDER is finally aired before I jump into this new season. Which means a LOT of spoiler dodging for a little while. So.... I'm just going to step away from new fanfiction as well....

Most people are kind enough to tag spoilers, but some? Eh? It's just safest to step away.

Not that it matters. I am apparently determined to have my Webtoon nightly reading list be long enough to take up my goal of 1hr/day all on its little lonesome. Which means I've continued my habit of just subscribing to any promoted series that have a logline and artwork that intrigues me, even if I don't read the synopsis then-and-there to see if I even want to read it. I have so many of these that I still need to vet....

Anyway, that brings my subscription list count (excluding stories I've completed) up to 74 stories! Well, 90 stories, if you include the 16 Canvas series I'm also subscribed to.

Just so you know, I haven't even read the preview chapter for 62% of that subscription list.... But I get suggested pretty pictures and romance isekais so.... *hits subscribe button* I'm such an easy mark....

Regardless, I am still actively reading 16 Webtoons Original stories (the ones that are updated weekly, with official editors, yada-yada). I also regularly read 3 Webtoons Canvas stories (the ones where the creators are self-regulated and post on their own schedule) as they update.

That doesn't include 3 more Webtoons Original stories or 2 Webtoons Canvas stories or 3 Comikey stories that I might periodically bring up to read. I just need to be in the right mindset for them, though.

Point being, I started tearing though last month's reading schedule pretty quickly again. I had bouts of insomnia, and I was craving more content. This time, I at least went to that long subscription list I already had, and pulled some new options from that. 

First was the series You Can't Kill Me: The Secret Bride of the Black Wolf. 

Yeonwu Chae, a talented yet lonely composer from Korea, finds herself and her family trapped in the underworld after a car crash. In her first life, she marries Hyojo, who ultimately kills her. In her second life, she takes revenge by taking her own life in front of him. But despite her desperate wish for an end, she’s given another chance at life. However, this time, instead of encountering Hyojo, she is discovered by Hwita, a mysterious man with a black wolf as his guardian spirit. Can Yeonwu break the cycle and find true safety in this treacherous underworld?

    - Official Webtoon Summary

Honestly? This was a case of "Pretty pictures; instant subscribe" and I didn't even read the summary before checking out the series. I just saw the title, the gorgeous artwork, and it was giving the same vibes as, say, The Dragon King's Bride. So, going in relatively blind, I started up the series.

It opens with Yeonwu committing suicide in front of Hyojo as a sort of a "You cannot have me! I will be free" message. She did so on his birthday in front of the attendants, no less, to really drive home that Hyojo is so horrible that she'd rather die than have him touch her again. 

She hoped she was finally free and could pass on to the next life, only to wake up as her past self right after the fateful car crash. She was terrified. The past two times she lived through this moment Hyojo was the one who found her, and he declared Yeonwu as his.

The artist is SO GOOD at drawing the physical depictions of stress and panic. You could practically feel her shaking through the screen. My own heart races a bit, and my breath becomes shallow whenever Yeonwu panics about Hyojo. It is terrifying, but in the best way. I didn't need to know more. I was locked in.

The next episode, you officially meet the titular Black Wolf: Hwita. Yeonwu isn't sure what is different about this life reset that Hwita is there instead of Hyojo, but she is grateful. She instantly throws herself at him. If he takes her as his lover, maybe that will keep her away from Hyojo!

Understandably, Hwita is beyond confused as to why this person he has never met before is practically begging him to take her to bed. He seems to pick up that she's doing so out of fear, however, and does agree to take her in to protect her. He lets her know that he has no intention of sleeping with anyone he's not in love with, however. Either way, Hwita does still agree to present Yeonwu as his lover, and makes sure to have her room set up beside his so that even his servants will believe the rouse. 

Next comes the major hurtle: Hyojo is the son of the emperor, and Hwita is the emperor's distant relative; a high noble within the Underworld. He's frequently called to the imperial palace, and he can't hide Yeonwu away for too long. The moment Hyojo sees her, he wants her as his own; just as he's always wanted in Yeonwu's past lives.

Now Yeonwu has to push back against trauma and fear, and avoid the constant advancements and attacks from Hyojo (thankfully, Hwita is a very protective "lover").

Also.... Hwita has an alleged twin named Yuta, who is the Grim Reaper.... See, I say "alleged" because we have yet to see the two together. People refer to the Reaper as Hwita's twin, even Hwita's servants seem to have known the twins when they were young. However, there's a decent amount of evidence to suggest that maybe Hwita IS Yuta? That they just kind of cohabit Hwita's body, and that he transforms into Yuta whenever he takes on Reaper duties????

For instance, people talk about how The Reaper only has his powers at night, and so, the only times both Yeonwu and the audience ever sees Yuta, it's at night... when Hwita is conveniently not around. And, when Yeonwu was brutally attacked, Yuta later goes after the aggressor claiming the aggressor put his hands on "My woman" (implying Yeonwu is in a relationship with Yuta, not Hwita). 

On the flipside, though, Hwita, while talking to Yeonwu about her first encounter with Yuta - in which he saved her from thugs - mumbles "I can't believe my brother was actually useful for once." He also seemed put-off when Yeonwu commented on how similar Hwita and Yuta were: "I thought you two had a similar aura." Later, when he was alone with one of his most faithful servants, he notes that Yuta wears a mask because "he hates that his face looks so much like mine" (being twins and all). 

So... it feels like Hwita believes Yuta is a separate person, an actual brother/twin. Which SHOULD confirm that Hwita and Yuta AREN'T one and the same.... On top of that, in the most recent free-release episode, Yuta is seen attacking Yeonwu's assailant while Hwita is busy recovering from being poisoned. Does this confirm that they are two different people? Or is the the story being told out-of-order and Yuta attacking the guy happens AFTER Hwita's recovery, not before/during it?

Flipping back though.... In the opening scene of the series, when Yeonwu commits suicide at Hyojo's birthday celebration, she sees a man crying over her death. She can't tell who it is, but, after I went back to reread this scene, it's now obvious that the person crying over Yeonwu's suicide is Hwita. And Hwita is magically there before Hyojo when Yeonwu is again reverted to the moment her family crashed into the Underworld.

Did Yuta - as The Reaper - cause Yeonwu's life-rewinds? Did he also direct Hwita where to go to find Yeonwu? Did he do all of this for his brother - whom he seems to have a negative relationship with? Especially considering Yuta apparently considers Yeonwu HIS woman? OOOOR, does Occam's Razor suggest that Yuta HAS to therefore be Hwita during the day, when he loses his Reaper powers? In his daytime form (Hwita) he saw his love (Yeonwu) committing suicide to try to get away from Hyojo. He wants another chance to save her and maybe even be with her, so, in his Reaper form (Yuta), he rewinds time as far as he can control: the car crash (he, presumably, doesn't have the ability to alter anything that happened in the Overworld, aka, the world of the living). He then tries to get to Yeonwu before Hyojo, but, it's daytime again, so he has to arrive as Hwita.

Seems compelling... until you realize that - iirc - Hwita has visited Yeonwu at night, and has even specifically told her that he'd escort her if she needed to go anywhere at night since it's so dangerous.

EEEEE! This whole mystery behind Hwita and Yuta, and why Yeonwu is stuck in this time loop.... I love it all! I'm hooked just on that. But then seeing how tender Hwita is with Yeonwu, and watching them lowkey flirt with each other??? Beautiful!

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All-in-all, this is an awesome story. Definitely in the top among all the ones I read/have read. The artwork is gorgeous and really pulls you into the skin of the protagonist. Hwita is the softest of beans, but goes BEAST MODE when he feels he needs to protect Yeonwu. Which, surprisingly, is both a LOT and not as much as he'd think? Like, she's attacked. A LOT. But she's also learning that she can hold her own a lot more than she thought. So Hwita doesn't need to rescue her as much as you'd think.

Also, as I mentioned above with Hwita crying over Yeonwu's suicide, there's hints that maybe Yeonwu and Hwita interacted more in her past lives than she lets on, and/or that maybe Hwita is also aware of the time loop and has been in love with Yeonwu for a while now? The "aware of the loop" thing would explain how he'd know where to be to get to Yeonwu before Hyojo this life-reset, assuming it isn't some Yuta/Hwita shenanigans.

So.... yeah! I spent HOURS just binging this story on one of my days off, which then meant I was caught up and had to wait for the next free release. Boo. At least You Can't Kill Me is now an exciting addition to my weekly reading line-up. Bonus: It updates Sunday night in the US. Which means I finally have new weekly content on Sundays, and not just Daily Pass unlockables! Whoo!

Finally finding something for my Sunday evenings was exciting, but it also meant it didn't help me fill my nightly reading cravings. Still on the hunt to bulk up my nightly reading list, I got introduced to a brand new series: Lock Me Up, Duke!.

When doomed to get the bad ending, everyone would try to avoid it no matter what, right? But, that’s not the case for A-Min Kim. Reborn as Jayna Blake, the main character of her favorite game: “How to Fall in Love with the Obsessed Man”, A-min Kim is determined to get the locked up ending. Free food, limitless sleep, and no need to work! Who’d refuse that? At least, not Jayna!

    - Official Webtoon Summary

Not only was this story being promoted on Webtoon's rotating home page banner, but it was also being promoted at the end of Seabird and the Wolf. Seems the same publishing company in charge of Seabird and the Wolf is also translating and publishing Lock Me Up, Duke! I had some faith after getting into Seabird, and I liked that the publishing company Kisai both left amusing author's notes at the end of each episode and was relatively active on Webtoon itself. They keep up with the creator blogs to promote their various stories. That's neat to me. Plus, the concept for Lock Me Up, Duke! is so bonkers to me. I HAD to see where the story would take it.

I was not disappointed.

First, a little note on the in-story game "How to Fall in Love with the Obsessed Man". It is a unique dating sim that is notorious for it having FIFTY different bad endings! For context for non-gamers, typical branching-pathway games MAAAAYBE have a dozen endings TOTAL. Granted, there are some, such as Baldur's Gate III or Fire Emblem games, that have far more ending options. The main difference there is that you typically have dozens of potential romanceable partners, and so each pairing results in a different ending option. For the purposes of this in-story game "How to Fall...", the main character Jayna only has the ONE romance option. And yet, there's still 50 BAD endings, not including any neutral or good ending options! That is a DETAILED game. No wonder it's isekai fodder! Wonder if that will come up later in the series....

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Anyhoo... Lock Me Up, Duke! starts with A-Min getting the locked-up ending in "How to Fall...". While A-Min is playing, the reader can tell the video game character Jayna is scared and isolated. She's being hand-fed by the game's love interest/antagonist Theoris Lee Akrana. He drapes his cloak on her, noting how she must be cold. He then refuses her request to let her leave the room, and it's revealed that she's chained to the floor of her lavished bedroom. Theo then leaves, stating with an evil smirk how much he loves Jayna. She screams for him as the door closes behind him and he walks away. The scene concludes with a pop-up noting that A-Min got the locked-up bad ending.

A-Min disagrees with the 'bad ending' classification. Not taking into consideration the mental and emotional abuse of living imprisoned like that, A-Min thinks this locked-up ending is paradise. You get a lavished bedroom. You have gorgeous dresses. You can rest all you want. Eat delicious food all you want. AND a gorgeous man (Theo) personally takes care of you? What's not to like!?

The woman clearly has a bit of a warped view of the world as she laments her small apartment, no job prospects, no family, and no romantic options. The only things she has going for her are her near-encyclopedic knowledge of "How to Fall in Love with the Obsessed Man" and a stray cat she sometimes takes care of.

That is... until the cat runs out into traffic, and, in an attempt to save the cat, A-Min gets hit and isekai'd into Jayna. She awakens in a dusty attic bedroom. In your classic Cinderella-style treatment of unwanted and/or illegitimate children, Jayna was hidden away with only the barest necessities until the day she could be useful via her arranged marriage to Theo.

Knowing her life will be worlds better at Theo's castle than it could ever be locked away in a dusty attic at her father's estate, she gleefully packs. Who cares about Theo's cruel reputation? Based on the video game, A-Min knows Theo becomes obsessively devoted to Jayna. She knows she'll be better protected and better taken care of with Theo than her parents. 

She gives them both a cold and rude farewell - why should A-Min care? It's not like they were HER parents, and they clearly treated Jayna cruelly - and goes on her merry way to Theo's estate.

Once there, Jayna (A-Min) is startled by how minimalist, bleak, and filthy the castle is. She knew that Theo was an illegitimate son of the late empress, exiled into the perilous demon-infested lands to the north (because of COURSE there's magic and monsters...) by the jealous emperor. Still, she wasn't expecting something that resembled Dracula's castle! Theo's castle wasn't so terrifying in the game!

As she approached her new home, Jayna (A-Min) is stopped by what appears to be a pop-up similar to the kind in "How to Fall..." It's a disclaimer:

Will you play this game?
      Yes                 No

WARNING
Before you finish the game, you might be killed by the Male Lead. But if you proceed with caution, you will reach a happy ending.

Again being dismissive about the "bad" ending options, Jayna (A-Min) clicks "Yes". Upon which, a new pop-up appears.

WARNING
There's no turning back now. We pray for your safe journey!

The pop-up then vanishes. This is creeping Jayna out. This is nothing like how the game played out! Doesn't matter though. She has no other place to go and no funds to find her own lodging and food. She trudges forward. 

As she approaches what was the first decision you could take in the game, a pop-up of options appears for Jayna. She's relieved to see the options, that way she doesn't have to worry about potentially forgetting a choice option and picking the wrong ones. She doesn't care if choosing wrong might result in Theo killing her. Instead, she's afraid that the wrong choices won't lead to her getting locked up.

Anyway, she tries to select one of the options just as she clicked on "yes" in that first pop-up. Nothing is clickable though. Instead, she "selects" an option by just... doing it!

Should she (a) Knock on the door, (b) Ask who's inside, or (c) Open the door? Once she verbalizes that she's trying to click on "Open the door" her body goes into autopilot and literally just.... opens the door without knocking or calling out to see who is on the other side.

It's a really cool story mechanic for me, and ties into how action/adventure isekais tend to be written. The ones where the male protagonists get isekai'd into their favorite fantasy/action video games, and so they still have the Heads-Up-Display (HUD) as if they were still at home playing those games. It's also a similar set-up for the tangential isekai: the full-haptic VR story. Shows like .Hack//Sign or Sword Art Online or Bofuri: I Don't Want to Get Hurt, so I'll Max Out My Defense. For an American take, you have the movie Ready Player One.

Point being, A-Min as Jayna has the same HUD concept where she'll get the action prompts (that only she can see) as if she were still simply playing the game instead of living through it. Very neat.

Panels from Episode 3 of Lock Me Up, Duke!
by Kisai Entertainment

Getting back into the plot, it seems that the emperor neglected to let Theo know of this arranged marriage. The emperor needed funds. Jayna's family had plenty to give to the empire, but only in exchange for nobility prestige. Both agreed that the arrangement would be mutually beneficial, but neither trusted the other and so they both decided to marry off their respective illegitimate children. Fun! Great parenting all around!

Due to Theo being blindsided by the arrangement, he offered to get it annulled. Not at all what Jayna wants! She tells him that she has nowhere else to go if he doesn't take her in. He again questions her resolve, reminding her of his reputation: "the notorious duke with 'evil blood'... Who shows no mercy to monsters or humans alike."

Going off-script, Jayna, knowing Theo via the game, knee-jerk responds with, "So what? Those are just rumors - I don't believe a word of it. People gossip about me all the time too, but none of it is true. I trust that you're a warm-hearted person."

That last line - I trust that you're a warm-hearted person - really struck a nerve and resonated with Theo. His whole life, he had been despised. While neither us readers nor Jayna (who was originally from our world) seems to see anything wrong with Theo's appearance, everyone born-and-raised within the fictional world A-Min has been isekai'd to (called Ellen) finds Theo (specifically, his silver eyes) revolting and unsettling. Which is why he typically wears a mask hiding his eyes and the upper half of his face. Add in how ruthless he has to be simply to survive in a place nicknamed "The Devil's Nest", and you can imagine how shunned and feared the poor guy has been his whole life. To now have this pretty girl forced to be your wife gladly taking on the role and saying she believes you're a "warm-hearted person"?

Well, naturally the guy is instantly smitten (although, he also fears that Jayna is a trap sent by the emperor, so he's cautious)!

Jayna is shown her room and.... it's practically empty, dusty, covered in cobwebs, and the limited furniture that is in there is far from well-maintained. She almost missed her dusty attic bedroom in comparison. Because of the dangers of where Theo lives, as well as how much the emperor hates him, Theo has virtually no servants. He doesn't have the funds to pay for them, and no one would want to live in such a dangerous area. Which explains why the castle has fallen to such disrepair.

Jayna sets to cleaning her room herself, and freaks out upon finding a spider. Without noticing that the spider is another of her game choice options, she screams. Theo runs back to check on her, and she instinctively hugs him out of fear. He then destroys the spider for her. It isn't until after Theo (over)killed the spider for her did Jayna remember that, in the game, Jayna would calmly and gently remove the spider from her room. Theo - in the game - would see video-game version of Jayna being sweet to the spider, and begin thinking more fondly of her. Mostly because she showed that she was "gentler and different from other women." A-Min's Jayna is now terrified that she ruined her chances by freaking out the way she did. Little does she know that she still proved herself "gentler and different" simply because she called him "warm-hearted" and she was willing to strip down to her undergarments in order to scrub her room herself with no complaint.

The problem, though, was that - again, due to his low budget - Theo has limited linens within his whole castle... and... Jayna threw away his only spares because they were gross and thread worn, and she didn't think they were worth the effort to try to salvage. Whoops!

Theo decided that their only solution is to have Jayna use his bed instead, and they'll sort out the bed sheets situation the next day.

And... that's more-or-less as far as the free episodes have gotten, with the exception of a bit more of Theo's backstory being revealed.

Also... fun note... while most other people will try to blend in as much as possible when they possess a character, A-Min is full-on herself. Complete with cursing like a sailor, which confuses poor Theo because he has never heard such words before. Love it. The main character in Her Wish to be Isekai'd does the same thing. Both women are hilarious for it. Never change!

Anyway, Lock Me Up, Duke! is another one that updates Tuesday nights in the US. So... My Tuesday nights are solid for reading. May even spill some of it over to Wednesday. Still doesn't help with my daily reads outside of Tuesday per se, though.

BACK TO THE LIST FOR ANOTHER PULL!

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Cropped by LycoRogue

This next one had me a bit wary, if I'm honest. The concept intrigued me, but the treatment of a neurodiverse-coded character left a foul taste in my mouth: At Your Mercy.

Getting transported into a novel once? Unusual. Twice? Welcome to Ji-an Han’s reality. Her second possession lands her in the body of a noble lady with an unfortunate reputation—the court fool. While still adjusting to this twist of fate, the enigmatic Crown Prince Iskan enters the scene with an unsettling proposition: "Take me as yours," he says, "I’ll become your most cherished possession." Between her reputation as a fool and a prince whose motives remain unclear, can Ji-an navigate this complicated new reality?

    - Official Webtoon Summary

First of all, the official summary is inaccurate. Iskan is the second imperial prince, and therefore a grand duke, not the crown prince. Still, you get the idea. He's the son of the emperor.

Secondly, I'm loving the artwork of this series. There's a lot of "pull your heartstrings" moments that the artwork really captures.

As for the characters? Well.... Iskan is awesome!

Yeeeaaah... much like The Fateful Invitation, I'm more invested in the story of the male lead than the actual protagonist. 

The actual protagonist can jump off a cliff.

See, Ji-an Han was isekai'd into a novel once before. She lived in the world of the Barkyan Empire before. Then, randomly, she was transported back to her original life on Earth. She lived her normal office-worker life for an undisclosed amount of time before getting isekai'd a SECOND time into the same novel. This time, as a new character.

Ji-an can't remember anything about her previous character possession, only that it happened and that it was definitely the same novel she was just re-isekai'd into. She also laments who she became this second time: "Delinda Schultz, the Foolish Noble Lady."

Aaaand this is when I almost put the series down. Ji-an recounts what limited information the novel provided of Delinda and the Schultz family.

House Schultz.

One of the great founding families of the Barkyan Empire, a noble house with deep historical roots. 

That was, until the birth of their only daughter Delinda Schultz marked the beginning of their decline.

The reason? Because the body I'm occupying was the Foolish Noble Lady! 

Until age six, she could barely string words together... and communicating her thoughts to others was a struggle. 

The Duke exhausted every possible treatment to help her function somewhat normally, but in the process, he nearly depleted the family fortune.

The scene then cuts to Ji-an in her South Korean bedroom, re-reading the novel and dismissing Duke Schultz's devotion for his daughter: "Tsk, tsk... a family falling to ruin because of their daughter..."

Like... oof! That's really gross, right? Add in later episodes where it's revealed that Delinda never learned to read (so, maybe dyslexic?) and had poor emotional intelligence. So, novel-version of Delinda was autistic and/or some other neurodivergent. Right? Suuuuuper gross how condescending Ji-an is of Delinda because of that (as opposed to Delinda being a "fool" because she's vacuous or vapid). A LOT of people in the comments called the story out on it. We all agreed, it would be one thing if the CHARACTERS from the novel all considered Delinda "a fool" because she wasn't neurotypical, but to have a modern-day representative such as Ji-an also think that way? Disgusting.

I had put this story away after reading that first episode. The dismissiveness towards Delinda just left too foul of a taste in my mouth.

However, nearly two months later, I still hadn't unsubscribed from the series. The whole "Ji-an got isekai'd twice into the same story as two different characters" hook still had me snagged. I kept reflecting back on that concept. 

Despite myself, I went back to this story a couple of weeks ago. Maybe the characters evolve past that prejudice against neurodivergent people.

Eeeeeh.... not really, but now I'm even MORE hooked by Iskan's story, and that of Delinda's father. 

Yes, there's still gross moments. Since Ji-an is neurotypical, when she possessed Delinda she didn't take on any of Delinda's mental struggles. She doesn't have the potential autism or dyslexia. She doesn't know what Delinda had to struggle with. She seems to have grown no sympathy for the poor character, which SUUUUCKS. Also, since Ji-an is neurotypical, her goal is to con people into thinking that Delinda "got better". 

She used an injury - to her shoulder, mind you - to convince the doctors that she was traumatized into her brain working properly????? Sure.

She's learned to read, and has asked for a tutor to learn "about society and culture... as well as history and philosophy." Her father is constantly praising her for her increased emotional intelligence as well, and tears up with joy and relief that all of the "cures" he's tried have finally worked.

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Again, the real hook, for me, is that duel-transmigration (the term they use in Korea instead of isekai) that Ji-an went through. As well as the mystery behind Iskan and his relation with Ji-an's previous vessel. I'm trying to push past the neurodivergence discrimination to get more on those story hooks instead.

Quick pause here to talk about how isekais typically work. This will be relevant in a moment.

You have four main ways to tell an isekai/transmigration/portal fantasy story.

First, you have the more "portal fantasy" style where the main character doesn't die. They just somehow get transported to this new world/reality. Stories like The Chronicles of Narnia or Peter Pan (wherein Wendy and her brothers are isekai'd to Neverland) or animes such as The Vision of Escaflowne or Digimon or Inuyasha. In these stories, the person gets sent both body and soul to this new world, and they (usually) have to find a way back to Earth/their reality.

Then there's the more popular version of an isekai in recent years: reincarnation.

The protagonist dies in the real world, but some benevolent or trickster god decides to reincarnate the protag in a new - usually fantasy - world. They are straight up reborn in this new reality. And therefore learn how that world works the same way any child would, thus avoiding suspicion that they aren't originally from that reality. As an added bonus, even as young children, these isekai'd reincarnations tend to retain all of their memories - and adult reasoning - from their previous life. Examples of this style of isekai would include animes such as The Saga of Tanya the Evil and So I'm a Spider, So What?

In a similar vein, there's stories like You Can't Kill Me or Leveling Up My Husband to the Max, where the protagonist gets sent back in time to re-inhabit their past self, but now with all the knowledge of the future life/lives they've lived. Classic time-loop style. The character doesn't have to learn anything about the world because they already learned it their first go at life.

Finally, you have the popular version for the stories I've been reading: Character Isekais, aka transmigrations. The protagonist knows a story, be it a novel, a webcomic, or a video game. The story in question may be their favorite; one they know by heart. Or it could be one that they just read, and so it's fresh in their mind. Or it could be one they were currently obsessively reading and maybe daydreaming about being a character within the story, even if they don't know how it ends. Either way, they die suddenly in the real world. Their spirit then possesses a character from the story previously established as significant to the protag. Surprise! The story world is now real, and the protag can affect how the plot plays out.

In this version, the protag keeps all memories from their previous life, including their knowledge of how the plot is supposed to play out. This helps them know the characters ahead of time, as well as the basic world-build of their new life. But only so much of any given character can be presented within the confines of a story. Because of this, when a "real world" person possesses a story character, any "behind the scenes" information about that character - things the character (now a fleshed out actual person) would know even if it wasn't presented in the original plot - tends to flood the protag's mind, quickly catching them up-to-date on the life of the person they now have to pretend to be. This way they don't cause suspicion when, say, they run into a person they should know, but that person was never given a name in the original story.

The way the "life download" worked in Not Your Typical Reincarnation Story was particularly good. Suna Choi gets overwhelmed by the new information about Edith that she wouldn't have known from the story alone. Then, less crucial bits of information - such as the dance styles for that world - are revealed to Suna as needed. 

Anyway, getting back to At Your Mercy, Ji-an doesn't get this character infodump. She only knows as much about Delinda as was revealed in the original story... which... wasn't much.... So Ji-an has to figure things out on the fly. Luckily, Delinda being categorized as a "fool" means no one bats an eye when Ji-an asks questions that someone her age should know the answers to already.

It's a weird twist to the classic transmigration/possession style of isekai: not gaining any new knowledge about the world or the character you inhabited. That, plus the mystery of who Ji-an was originally, how she returned to the real world, and why/how she was isekai'd a second time are all main reasons why I'm continuing with this story despite not liking the main character.

But also... the tall, brooding, emotionally wounded Iskan.

Delinda stumbles across him while he's finishing up an assassination assignment. His blade still covered in blood. She's understandably terrified, but Iskan's intrigued. There was a magical barrier up that should have hidden him and his violent work from civilians. How did she manage to literally stumble through it? He lets her leave, then follows her home to try to sus out who she is.

The next day, Iskan swoops in as a financial backer for an investment Duke Schultz is trying to buy into in order to restore his family's finances. This gives Iskan the perfect excuse to interact with Delinda more. She's understandably nervous, wondering if he was there because he changed his mind and decided to kill her after all.

He corners her, to try to talk to her more about what she saw and ask her about her power to pass through the barrier. This causes her to fall into one of Ji-an's nervous ticks. A nervous tick she clearly did in her previous transmigration as well. One that Iskan instantly recognizes.

It felt very Disney's Aladdin with Jasmine piecing together that Prince Ali is Aladdin between the "Do you trust me?" pose and how he tossed her an apple.

Disney's Aladdin (1992)

Much like how Prince Ali asking Jasmine "Do you trust me?" raised a flag for her, the apple toss trick all-but confirmed he was Aladdin, and Jasmine officially confirmed who he was by asking him about Abu, Iskan went through the same journey.

First was a nervous tick that Delinda had when he cornered her. That was what raised the flag for him. He asked her, "Have we met before?" meaning her past life, but she thought he was referencing when she stumbled upon his assassination job.

Ji-an has allowed a few more of her personal mannerisms to temporarily bleed through into how she presents Delinda. The more Iskan spots those glimmers of Ji-an, the more he's reminded of her previous transmigration. He keeps asking Delinda, "Are you sure we've never met before?"

Her past life in Barkyan is slooooooowly returning to her, but she's desperate to keep that hidden. She learned that her previous vessel Ruyan was killed, and she fears that it was because they discovered her possession. Ji-an can't guarantee that Delinda dying will throw her back to the real world again, so she's fighting to keep her possession secret.

Especially when one of Ruyan's memories is of a crying Iskan telling her, "Then I'll be the one to kill you," followed by the memory of being choked to death. While Iskan seems kind and protective of Delinda, Ji-an is constantly wary of him, unsure if he plans to kill her in this life as he (presumably) did in the previous one.

Honestly, given how heartbroken Iskan looked in that memory, I'm assuming Ji-an grew tired of living in Barkyan, and discovered a way to return to Earth if Ruyan dies. She probably confided in Iskan, who couldn't stand to see his lover die. However, Old Yeller style, if she HAS to die, let it be by his hands so he can at least be there until the last moment with her. However, since Ji-an doesn't remember that much, it's understandable that she's misreading the situation.

That said... oof! For as much as Ji-an craps on Delinda being "a fool", Ji-an is the actual thick brick. I get that she's being cautious, but there's so many tells that Iskan means her no harm. In fact, her harm would cause him great grief. If Ji-an actually did have ANY semblance of emotional intelligence - for which Delinda is being praised for since Ji-an possessed her - Ji-an would notice how sorrowful Iskan is whenever she's being careless.

At one point, Delinda is up along her family castle's rampart. She has caught her betrothed - via arranged marriage - making out with her lady-in-waiting Rose. She gets distracted by Iskan approaching her, and she loses sight of the lovers. Delinda tried leaning forward over the wall to get a better look at where they could have gone, but poor traumatized Iskan gets a flashback to Ruyan falling from a ledge. (I personally suspect that Iskan caught Ruyan trying to commit suicide and that's why he offered to kill her instead) Anyway, Iskan instantly grabs hold of Delinda and pulls her back from the wall. We then get these closing panels.

Final panels from Episode 10 of At Your Mercy
by Team Lightsalt and Team honeybread

Like... COME ON! He yells things like THAT at you, and you see this mournful, heartbroken look in your memories...

Final panels from Episode 11 of At Your Mercy
by Team Lightsalt and Team honeybread

...and you still think he has ill will towards you?

Also, as I alluded to above, Ji-an (as Delinda) heard of mysterious cases of other people in the empire injuring themselves and it completely changing their personality. Thinking this is her best bet to hide suspicion about Delinda suddenly acting different, she tries numerous times to hit her head (at this point she assumes, as a possessed character, that she can't be hurt/killed). No matter where she goes or how outlandish her plot is to hurt herself, Iskan is right there to stop her, save her, and/or protect her (much to Delinda/Ji-an's dismay).

Like... COME. ON! And yet Ji-an thinks DELINDA is the simple-minded one? Please!

Sooooooo yeah. Delinda/Ji-an is an annoying lowkey-condescending jerk parading around as the charming protagonist in a very similar vein as Hillaria from A Fateful Inventation. But the male lead is a sweetheart that I want to learn more about, and the mystery has drawn me in. So, we'll see how long I can stomach this story.

Not many free episodes out, so I again caught up in more-or-less one sitting. Another to add to the Sunday Update pile, at least. So... that's cool.

Let's try that long Subscription list one more time. What else can I add to my overall reading so I can get about an hour in nightly?

This time, I pulled A Savage Proposal.

When the ruthless Lord Tiwakan seizes the kingdom of Nauk, Princess Liene Arsac faces an impossible choice: marry her captor or watch her homeland crumble. But Lord Tiwakan isn’t just after power; he desires Liene, and his devotion stirs a mix of fear and undeniable attraction within her. With her former betrothed, Lafitte, still missing, Liene must decide whether to trust Tiwakan's promises or hold out hope for a rescue. As dangerous secrets come to light, Liene’s decision could change the fate of Nauk—and her own heart—forever.

    - Official Webtoon Summary

This one has an interesting, while problematic, concept. A coerced arranged marriage. Troubling, to be sure, especially when presented as the main romance. However, tales of women becoming wives as spoils of war are not new. Marriages being arranged as part of peace treaties is also not a new concept. Even so, I think the author is taking pains to show how rocky this marriage will be since the foundation is that of a coerced arrangement, and how the male lead is trying to make things right.

For instance, every time Lord Tiwakan (we have no clue what his given name is yet) is kind and gentle to Liene, and she starts to soften for him, she reminds herself why she's betrothed to him in the first place. She's mad at him, dammit! He set siege to the already dying kingdom of Nauk! He cut them off from supplies for two weeks, while slaughtering any knights her kingdom sent out to push back the invading barbarians. Just a single fortnight, and her people were already starting to starve. They could MAYBE last another month holding out for reinforcements, but how many would starve to death in the meantime? How many more families will lose sons/fathers/brothers as more knights are easily dispatched? Could any form of reinforcement even save them, or is it just delaying the inevitable? 

No. She had no choice in the matter. Nauk was no match for the Tiwakan army. No reinforcements were coming to rescue them. If she were the only cost to save her people, she'd easily pay that price. She wouldn't be happy about the end result, though. No matter how gentle and protective and handsome Lord Tiwakan was, she would not soften for him! Begone, lustful and nurturing thoughts!

Meanwhile, as Liene is struggling against her growing affections for Lord Tiwakan, you see how horrid the nobility of Nauk actually are. You understand why the kingdom was dying to begin with if these are the people at the helm. You see how dismissive and cruel they are to Liene - their sovereign! - compared to how compassionate and encouraging the Tiwakan are towards her. So, as she does start to soften for her attackers, you understand why, and don't necessarily hate it.   

For instance, we are introduced to Liene at the tail end of the siege of Nauk. She is an orphaned princess, the only remaining royal within that kingdom (presumably; we don't know what happened to Liene's mother). Why, if Liene is the last surviving royal, is she still a princess? Why is she not the queen? Given how backwards everything seems to be with Nauk nobility, maybe there can only be a king for the KINGdom of Nauk, and therefore, despite being a blood heir, Liene, at best, could become the queen consort. Sooo, she's still just Princess Liene when we meet her despite apparently being the reigning sovereign. 

She is at her wit's end. She cannot find a way to break the siege without aid from neighboring kingdoms, but everyone is too afraid of the Tiwakan army to intervene. Her council reminds her that her betrothed Sir Lafitte Kleinfelter has ridden out with a platoon of his family's personal knights in an attempt to get reinforcements. She rebuts that Lafitte promised to be back in 10 days, and that deadline has come-and-gone. Despite Lafitte swearing that he cherishes Liene more than his own life, she cannot rely on him bringing reinforcements. Something must have happened to prevent or delay his return. She has stalled as long as she could. She is begrudgingly accepting Lord Tiwakan's proposal in order to make peace NOW and try to end the suffering of her people.

Instead of acknowledging this sacrifice for her people, her council berate her about it! The nobility of Nauk now claim Liene is a naive, inexperienced coward who was never fit to rule. That she's a traitor selling out her own people to heathen barbarians. She has betrayed her beloved Lafitte; not having any faith in him. They talk over her, and try to plot and plan a way to betray Lord Tiwakan, threatening the peace Liene is trying to broker with her betrothal. It's so frustrating watching her being undermined by people who are supposed to be her subordinates.

Hits a bit close to home, am I right, fellow fem peeps?

Upon meeting with Lord Tiwakan to accept his proposal, Liene hears a commotion. A battle! Lafitte and his reinforcements were able to arrive in time after all! Huzzah!

That is, until a blood-splattered Lord Tiwakan enters the tent Liene is waiting in, and presents Lafitte's sword to her. He's not coming to rescue her. The reinforcements have been dealt with.

Again seeing no other option, she tries one last gambit. Lord Tiwakan made it clear that he knew the owner of that sword was Liene's betrothed. Liene bluffs, claiming that she and Lafitte had already slept together prior to their marriage, and she is carrying his child. She then declares that any children she might have with Lord Tiwakan will be further down the succession line than Lafitte's child, and Liene will defend this child with her very life. Lord Tiwakan's bloodline will never become the rulers of Nauk, so if that's what he wants he might as well withdrawal his proposal. 

Liene isn't expecting Lord Tiwakan to agree to those terms. He will allow Liene to carry Lafitte's child to term, bear him, raise him in safety, and groom him to become Nauk's next ruler. Now that that's out of the way, does she agree to marry him?

Shocked and unsure how else to get Lord Tiwakan to withdrawal both his proposal and his troops, Liene submits. Now she has two new things to worry about. For one, she has to figure out how long she can milk the fake-pregnancy before faking a miscarriage to avoid being found out. Either that, or get Lord Tiwakan to impregnate her soon enough that she can pass his child off as Lafitte's. Which brings her to problem number two: Tiwakan now believes she's not a virgin, so she has to hide any pain she has when she does lose her virginity, and she has to act as if she knows what she's doing while having sex.

Understandably stressed beyond measure, Liene carved into the palm of her hand with her thumbnail via a repetitive nervous twitch during the marriage negotiations. Lord Tiwakan notices the wound, points it out to Liene, tells her to put ointment on it to make sure she fully recovers, and then tenderly kisses her wound. This is the first show of compassion and gentleness we see from Lord Tiwakan, and it confuses the heck out of Liene.

Now the nobility of Nauk and all of Liene's handmaidens believe she is pregnant, and try to use it as further proof that she can't submit to Lord Tiwakan. How could she forsake Lafitte like that? Especially when, upon Lord Tiwakan graciously returning the bodies of Nauk's fallen, Liene discovers the body believed to be Lafitte isn't actually him. Lafitte is probably still secretly alive! Maybe he's planning to mount a surprise rescue! She has to have faith in her former betrothed!

Problem THERE, however, is that, while walking the gardens with Lord Tiwakan, a hidden Lafitte shot an arrow at them. Here are some panels from that scene. 

Final panels from Episode 3 of A Savage Proposal
by Lee yuna and team IRUKA

Given that Lord Tiwakan tucks Liene in front of him so he can shield her, a lot of readers are wondering if (a) Lord Tiwakan was just overly cautious and Liene would have been fine, (b) Lafitte is a bad shot and Lord Tiwakan knew that the arrow would miss him and hit Liene instead, (c) Lafitte was aiming at Liene under the guise of trying to assassinate Lord Tiwakan once the barbarian leader was hit instead, or (d) that arrow was perfectly aimed at Lord Tiwakan (given that he had to pull Liene back in order to pivot her properly to shield her) and Tiwakan is using his shielding of Liene as a way to earn sympathy points. 

Regardless, to try to appease the Tiwakans, Liene makes sure that Lord Tiwakan is well cared for and bandaged up. When the lord begins to have a fever due to his body trying to heal the wound, Liene reluctantly offers to sponge his sweat away. To which, Lord Tiwakan gently teases her and asks how long his bride must find him repulsive. 

The two have a conversation, resulting in Liene willingly participating in a fairly hot make-out session. One that the lord pulls away from first, noting that he's unsure what he'd do in his fevered state, and so they should probably stop. It's then that Liene realizes that maybe she didn't want them to stop... only to berate herself because OF COURSE she should want them to stop! She shouldn't find Lord Tiwakan attractive and alluring!

She then reflects on how Lord Tiwakan waved off the arrow shot into his shoulder as if it were just an inconvenience. Reminded me of someone having their menstrual cycle: "Yeah, this is annoying and I'll feel like crap and it hurts and I may get a low-grade fever, but just give me a few days and I'll be right as rain again. No worries." Liene then compared that to when Lafitte had scratched up his arm on a branch while horseback riding. He whined about how much pain he was in and clung to Liene's hand, rubbing his face against her sleeve while he was being bandaged up. She equated it to a small child dealing with pain. Here's her thought bubbles from that flashback:

Time sure is flying by quickly...
How long do I have to be here?
His wound doesn't even seem that big.
There's so much to be done...
When will he let go of my hand?
I wanted to tell him so many times to let me go.

Clearly, even with her original suitor, it was an arranged marriage that Liene wasn't emotionally invested in. Lafitte may have been devoted to her, but it certainly wasn't the other way around. Aside from potentially losing an ally, there was little love lost when Liene believed that Lafitte was dead.

It then gets worse. While trying to discretely inform Lafitte to go into exile, and warn his uncle Grand Chancellor Lyndon to do nothing to prevent Liene's marriage to Lord Tiwakan, we see how deranged both men are. They are dismissive and abusive and clearly think of Liene as little more than an object to either use politically or keep as a trophy. 

The readers quickly realize that Liene dodged a MAJOR bullet now that she's forced to not marry Lafitte, especially after seeing - even when Liene isn't in the room - how warm and caring Lord Tiwakan is with regards to her. 

Really makes us question why he bothered with the siege at all instead of simply attempting to woo her away from Lafitte. Did he know that the nobles would stop Liene if she wasn't backed into a corner? (I mean, they tried to stop her even THEN soooooo)

I'm quite curious to see where this story goes. However, just as with the others, I again caught up with the weekly releases fairly quickly. At least I have my third Sunday Night Update story, right?

So.... I failed at my original goal to find more Daily Unlock stories that I could add to my reading rotation in order to lengthen my nightly reads. However, I DID add to a few more of my weekday reads, so each day should have close to an hour's worth of reading regardless now. Especially Tuesdays! I just need to bulk up the back half of the week, and find something for Wednesdays....

Which means my weekly reading schedule now looks like this:

On top of that list, I can also sprinkle in the Webtoon Canvas stories as they are uploaded. These are very scarely updated though, so I rarely know when I get the next installment. And Punderworld is the only one that gives significant story chunks when it updates. The others are pretty short reads. As I've previously mentioned, The Prince's Private Servant in particular usually only takes a few seconds to read each time....

Let's see how long this reading list satiates me before I dive back into that long subscription list and I add more to my reading schedule. Here's hoping for something other than those two daily pass reads on Wednesdays.

Generated by Bitmoji

Catch you all at the end of the month for my writing update! Take care!

Friday, January 31, 2025

D&D Shenanigans and a MariChat Near-Kiss

Est. Read Time: 35min
This Month's Font: Itim

Phew! We made it! January felt like it was four months long, but we made it to the end. And look at me! Getting a blog post up by my self-appointed deadline! Granted, it's MUCH later in the day than I would have liked, but still! Baby steps!

Along those lines, how do we feel about LycoRogue's Reading Corner? I have to admit, I did not anticipate that post being a 45min read! Glad I decided to break that off of my main posts. These "writing progress" updates would be at least hour-long chunkers if I hadn't split off my chats about what I'm reading! Which, honestly, is probably a not-so-small factor towards me managing to hit my deadline today. Which was part of the point of me creating LRRC in the first place. Also, added bonus that I somehow didn't consider... having to update my blog every two weeks is keeping me writing, which is getting the creative juices flowing again! I'll get to that in a minute.

Circling back real quick to LRRC. While I can never be certain anymore if any likes/views I get are actual humans or bots (man, I hate the advent of online bots....), my belated December update that I published at the beginning of the month had 30 views as of this writing. Whereas my inaugural LRRC post had 40 views! So, maybe you all DO prefer to read about what stories I'm consuming????

I hope at least SOME of you are still here to see if I've made any sort of writing progress. 

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Assuming that you ARE here to see if I've made any advancements in my writing endeavors, I actually have a couple of things to talk about!

To start, love is still pouring in for You Pretended Not to Care and I Think I Like You (Maybe More Than I Should). Did my writing improve that much since May 2023? I'm so confused as to why these two stories - specifically ITILY - are still being found and liked but nearly all of my other stories fall into obscurity 3 months after I've published them. Exception being Woven Heartstrings.

This is why I'm so wary of bots. I haven't really gotten comments in a while, so are these stories ACTUALLY being discovered and read by humans still? Or did bots find me??? I really wish I knew without having to lock my stories so only AO3 users can read them. I don't want to have to put up that wall against my family, who probably don't have AO3 accounts and have no desire to get one specifically for my writing.....

Thoughts? Especially if you ARE a member of my family. Do you have an AO3 account anyway for other fandom reads? Are you willing to get one so you can keep reading my stories? Have you already gotten one to read my stories??? Should I just go ahead and lock my stories against non-AO3 members because you're not reading my fanfics anyway????

(that last one would be wild to find out, but I'm also half-expecting it???)

Shifting away from fanfiction for a bit, but leaning harder into nerd culture: D&D.

A member of our D&D playgroup works for the USPS. Obviously, end of November through January is a BUSY time for him. This means we usually break from our twice-monthly sessions during the holidays. Luckily, the first main chapter/story arc of our campaign was able to be completed before our hiatus. We're starting back up again the first Thursday of February.

The story thus far has been (this is gonna take a while, so feel free to skip ahead if you aren't particularly interested):

Many years ago, in an age long forgotten, many races lived together on The Continent. However, due to a cataclysmic event lost to history, the other races vanished, leaving only humans and whispers of magic. Races such as the Fae or Elves or Dwarves are known, but only via folklore, tall tales, and children's stories. Same goes for the more fantastical creatures: Dragons, owlbears, imps, etc.

The Estrean Empire rose from the chaos of humans recovering from their loss of a connection to magic. The Continent had been at peace for generations now. One way the imperial family maintained this peace was the annual Unity Celebration known as the Parade of Princes. Each of the nine kingdoms within the empire had a turn hosting this event, rotating every year. This year, the northwest kingdom of Benac played host to the week-long festival.

During this festival, "elderly" (in his 40s) radish farmer Jacob went to the kingdom's capital of Bell Hollow with his nephew in an attempt to sell his crops. Sailor Jack assisted his captain and a portion of his shipmates as they brought the shipment of goods for the festival inland (their ship has a conversion option that allows it to drive on land). Belly-dancer Fulgara made her way to the festival at the capital in hopes of busking; entertaining the masses there for the Parade of Princes. Clueless small-town girl Aubrianne had recently went out into the world to try to learn as much as she could on her otherwise aimless pilgrimage. It was only natural that she would take this opportunity to actually attend the Parade. 

Despite citizens already setting up booths and making themselves merry for a day or two prior to the adventurers making it into the city, the festival didn't officially kick off until the next day, with the titular Parade of Princes.

The crown prince from each of the 9 kingdoms that made up the empire traveled to Benac in order to participate in a showcase. They had a literal parade, but then had a mini tournament. A display of strength as they dueled each other in a bracketed tournament. During this showcase, Aubrianne formed a bit of a crush on Benson Foxley, the strong and honorable crown prince of the northeast coastal kingdom of Foxley.

There was then an obstacle course set up for citizens to try out in order to win prizes. None of the adventurers managed to make it to the end, but they still won consolation prizes. Aubrianne's was a giant wineskin roughly the size of a sleeping bag and filled with vinegar. Yay....

During the events of that day, Jacob, Jack, Fulgara, and Aubrianne gravitated to each other. That evening, Jacob offered for his new friends to join him at a "secret party" that his nephew was DJing at.

Yes. They went to an underground club, which was literally underground.

There, Aubrianne had a cryptic interaction with a man in a smiling radish mask (we the players knew this was Jacob's nephew disguised for his primary career of powdered-radish drug dealer.... and the mask in question is basically what the DJ Marshmello wears, but a radish instead of marshmallow). On the other side of the party, Fulgara ended up hooking up with a party-boy crown prince! I can't recall if it was Prince Lewis from Zaynith or Prince Simon from Kalzorien. I THINK it was Lewis??? Either way, Fulgara had a one-night-stand with a crown prince who had a bit TOO good of a time at the underground club!

The next day was one of the main annual events of the Parade of Princes: fortune telling for the upcoming year. A row of fortune-teller tents lined one of the capital's parks, and guests were welcomed to spend the day going to get their fortunes read. Unbeknownst to the royal family who set up the event, Fae managed to secretly return to The Continent, however briefly. They set up their tent and lured to them The Prophesied Heroes: Jacob, Jack, Fulgara, and Aubrianne.

Each party member was shown a mirror; a gorgeous (or sometimes twisted) Fae version of themselves reflected back. They were then each given a portion of The Prophesy. 

The four newly-formed friends bonded further as they discussed the oddity of their fortune telling experiences. Especially when the tent they had all gone to abruptly vanished. During their discussion, they realized they each had a portion of a whole prophesy, and pieced them together:

Upon the Night of Omens, when the stars fall from the sky, the Nightmare Tyrant shall be freed.

That Which Never Sleeps shall reign until the Silver Fox lies in blood and light becomes shadow.

The Lord of Nightmares cannot be slain until the Black Cat rests upon the tomb and the Golden Scepter is broken.

In the Labyrinth of Mist, when blades pierce the sky and the Black Gate opens, the Palace of Dreams shall be revealed.

That very night ended up being the prophesied Night of Omens.

The night sky filled with unfamiliar stars (the fae-world's constellations instead of the normal ones). A halo of prismatic light surrounded the moon. A cloud shaped like a crown appeared in the sky. Then came the prophesied "stars falling from the sky": a meteor shower, but the meteorites were still the size of boulders when they landed. 

While Aubrianne and Fulgara tried to help with the panic and chaos within the walls of Bell Hollow, Jack and Jacob had wandered out of town, noticed the bizarre stars, and then were ambushed by a group of bandits. They survived, and hurried back into town to warn about the bandits trying to take advantage of the chaos the star shower was causing. The group raced to the castle to try to warn the king.

The castle was already destroyed between the raiders and the crashing meteorites. The group pushed their way through the castle in an attempt to find surviving members of royalty, as well as vanquish the raiding bandits. 

Sadly, the king and queen had already been executed. The crown prince Athas was fatally wounded by the time the adventurers caught up to him, and they promised him they would protect the rest of his family best they could.

By the end of the horrid night, the castle was cleared out of the bandits - whom they later discovered were working for Nightmare Tyrant cultists - and Prince Athas' family was rescued. Aubrianne said a prayer over the deceased. Athas' widow and two children grieved both him and his parents. Athas' younger brother Prince Ashton accepted the weight of the crown, with his sister Sybil and his brother's widow (I don't think she was ever named! Whoops!) as Ashton's main advisors.

Ashton pleaded for the adventurers to go to the emperor and seek help. They were given a letter of introduction from Ashton - which also announced the passing of the king, queen, and crown prince of Benac and consequential crowning of Ashton - and then sent on their way.

On their journey, they were ambushed by cultists of the Nightmare Tyrant, who were assisted by fae beings. The party was able to wipe out the cultists, but not before our first casualty. One of the fae creatures managed to engulf Fulgara in flames so hot they cremated her on the spot! Devastated, Aubrianne gathered as much of the ashes as she could in order to bury her companion. The party then collected whatever of Fulgara's surviving belongings they wished to keep as mementos, and buried the rest with their former owner.

Pushing forward, they suffered another ambush. This time, they survived with the assistance of a random traveler. A warrior raised by a hermit that was obsessed with the Nightmare Tyrant prophecy: Ignerra. After the Night of Omens, the hermit sent Ignerra out to find the Prophesied Heroes and assist them in preventing the Tyrant's return to the material plane. She lucked out in guessing that they would be on their way to the Empire's capital of Rustminster. 

As they neared Rustminster, they were shocked to see the city untouched by the shooting stars during the Night of Omens. That is, until they discovered that the imperial family had an army of mages in their employ, and said mages had put up an illusion to hide the devastation to the capital; a way to try to project power, strength, and security. In reality, a little over a third of the city was demolished, and both the emperor (called the "Grand King" within Estrean) and the empress ("grand queen") were killed during the disaster. Crown prince Trey Blackwell is the new Grand King (emperor). 

Thanks to both King Ashton's letter and the party showing their copy of The Prophecy, they were granted an audience with Grand King Trey. As a member of the imperial family, he knew more than most about the Nightmare Tyrant and the prophesy. The imperial family had an ancient tome that talked about it. Luckily, it was sent to the southwestern kingdom of Zaynith for preservation and restoration efforts just before the Night of Omens, so it wasn't damaged/destroyed by the chaos of that evening's attacks and natural disasters. Grand King Trey then charged the party to follow the prophecy and end the Nightmare Tyrant.

The party was sent off to the technologically advanced kingdom of Zaynith. This is where Jack's captain had purchased his ship that could convert to drive on land. As such, despite Zaynith's capital of Mustelidae Bay being a "port city", it is actually land-locked. Ships drive in and out of the capital and sail out of the actual bay roughly 20 miles south.

Zaynith made up for the loss of magic by investing in technology. Think a steampunk version of Wakanda. Due to this, they were able to survive the Night of Omens with minimal damage after managing to encase the capital city in a physical shielded dome shortly after the first meteorites fell.

The tome the adventurers needed was still being restored and wouldn't be ready for nearly a week. The royal family offered to house the adventurers while they waited. Not heroes by trade - with the exception of Ignerra - the party was glad to get a few days rest and catch their breath.

They opted to go on a week-long tour of the city via a tour group. Their first day was to the Wonka-esque confectionary shop: Serafina's Sweets. A fantastical trip where all members found at least one magical goodie to indulge in.

Their second day was much more eventful, but much less whimsical. They opted to tour the automaton factory. At one point, they were ambushed by more of the cultists that had inevitably killed Fulgara. The party was split up, and Jack was tossed onto the production line.

As the automated production line continued its work to build automatons unimpeded, poor Jack had metal painfully grafted onto his limbs, chest, and most of his face! Miraculously, Jack survived the torturous procedure, and managed to finish off the last of the cultists attacking his companions.

The next day, as the party left their respective rooms at the inn, they were collectively teleported to a fantastical land. They had somehow managed to shift into the Fae plane. Yet again, they were ambushed. This time by a troop of assassins lead by one of the Nightmare Tyrant's lieutenants.

The party took out the assassins and managed a mortal blow against the lieutenant. He retreated, and the adventurers quickly did the same. Hiding inside a cave, they set up traps to signal for intruders before taking a rest to recover. Aubrianne used Fulgara's zills to create a noise when the trap was tripped.

When the party woke up they were all back in their rooms at the inn. Each had a present waiting for them in the center of their room. Anything no longer on their person when they went to bed was left behind in the Fae plane. Aubrianne grieved losing one of Fulgara's mementos. 

While the other party members received magical items for their gifts - Aubrianne received a cloak that adds to her armor, for instance - Jacob was gifted a rabbit. This magical bunny - a harengon - became the druid's faithful animal companion Thabbit. A companion capable of the reverse to the normal druidic feat of Wild Shape. Instead of the druid being able to transform into an animal, Jacob's harengon is able to transform into a humanoid form in order to attack. More specifically, the harengon transformed into a standard rabbit upon entering the material plane, but can shift back into his normal form via this reverse Wild Shape.

Since Thabbit is a rogue when he shifts - and the play group is also made mostly of Pokémon nerds - we all basically headcanon that he looks like the pokémon Raboot when he's in his humanoid form.

Official Pokemon Art

Now armed with an unofficial fifth party member, the group returned to the travel agency to get fully refunded for the tour... ya know... because of Jack being mutilated and nearly killed....

The party was then summoned to the location the tome was being restored. It seemed unbelievably small at first, only for there to be a plane-shift inside the building. Think Doctor Who and the "bigger on the inside" TARDIS. The party then met the Zaynith royal family's lead advisor: Iris Stone. She explained the concept of the multiple planes of existence and how the more magical races (Elves, Dwarves, Gnomes, etc) and creatures (dragons, etc) all left the material plane (where the adventurers live), moving instead to the Fae plane. Iris never heard of humans unintentionally shifting planes though. Usually they would need some sort of nexus point and device, like Iris did for her lab/the restoration location for the tome.

Tome in hand, the adventurers were directed to the eastern kingdom of Ambermoor, where they would find the hidden monks of The Hallowed Cavern within the kingdom's thick mountain range. While Zaynith was able to physically restore the tome, no one there could read the ancient language. Only these monks could translate what the adventurers needed to know.

Naturally, the adventurers had a perilous journey of ambushes and dangerous encounters, but they managed to find the path leading them to the monks. Only for their path to be blocked by sentient scarecrows. Oddly enough, these dang scarecrows nearly party-wiped us! They were hard to damage and there was a raging river conveniently there for them to drown us in! By the skin of their teeth, however, they all managed to survive.

The whole encounter reminded me of when Hubby ran his last campaign and Kriv's party was nearly wiped by a dang Rug of Smothering, aka "Murder Rug". 

After getting past the scarecrows, the party had to navigate a cave. Jacob had recently come across a weapon that would randomly cast wild magic whenever he used it. Basically, mana is released with no real direction and the chaos of nature creates something random with it. On more than one occasion this has caused Jacob to temporarily have a prehensile tail and/or tentacles for arms, for instance. While in the cave, Jacob's wild magic created a horse. Both Aubrianne and Ignerra instantly bonded with the horse. 

Then Jacob sent the horse ahead of them down a tunnel, the horse couldn't see its way in the dark, and instantly ran off a cliff and fell hundreds of feet down into the Underdark (a subterranean world where Dark Elves (Drow) and other such "evil" creatures tend to dwell). Basically, The Depths from Legend of Zelda: Tears of the Kingdom.

A few more near party-wipe encounters later, the adventurers make their way through the cavern and to the steps leading towards the temple of The Hallowed Cavern monks! The stairway was lined by numerous waterfalls. Each step up shifted them between different planes. It was like when America and Dr. Strange transported through multiple universes in Multiverse of Madness. 

At the top of the stairs, the temple was housed on an elevated island, as if it were the narrow peak of a tall mountain rising up from the Underdark. All around the island, pouring down the disconnected cavern walls roughly 50ft from the island's boarder, were more of those waterfalls that had lined the stairway. Each waterfall a window into another world. Each one reflecting that other world - that other plane of existence - in their waters. The temple was housed on one of those plane nexus points that Iris had talked about.

The monks agreed to translate the tome for them, but they would need a few days to do so. Aubrianne was nervous that they were probably under a world-ending time crunch, but there really wasn't any way to rush things. The rest of the party gladly accepted this chance to rest and recover.

Jacob planted radishes to make himself feel more at home. We'll see if that amounts to anything later....

While exploring around the temple, Ignerra amused herself by looking at the surrounding waterfalls and peeking in on the other planes of existence. She then made the mistake of looking too long into the mirrorverse waterfall, and her counter nearly killed her. After witnessing this happen, Aubrianne quickly learned to be wary of reflections, especially of herself.

The text finally translated, the monks informed the party that their temple was actually built above the Labyrinth of Mist that was in the prophecy. No one could safely navigate the labyrinth because there were many entry points, but most led to dead-ends. Only one entry way had a through-path to the Black Gate. Thanks to the tome, the monks were able to decipher which entrance was the correct one.

Even so, the party was still in a labyrinth. One that kept us about a half-dozen sessions and over 2 real-world months to make our way through! Mostly because we had to 100% the labyrinth in order to gather everything we needed: 3 pieces to a statue and 5 ornate swords.

After finding everything we needed - and nearly dying a handful of times - the party discovered the room with the Black Gate! It wouldn't open until the adventurers could unlock it. They rebuilt the statue in that room, and it directed them to the night sky painted across the ceiling.

In the Labyrinth of Mist, when blades pierce the sky and the Black Gate opens, the Palace of Dreams shall be revealed.

We needed to figure out which slots out of dozens within the ceiling mural made up the lock for the Black Gate, and insert the ornate swords into them in the right order! To prevent "brute forcing" this puzzle, each incorrect slot would violently hurl the inserted sword back down to the floor. The poor party got pretty beaten up before sorting out the puzzle....

Generated by Bitmoji

Stupidly, once they figured it out, they didn't actually open the Black Gate. Instead, they looked at the map Jacob and Jack were tag-team drawing, and noticed some holes. They had gone this far to completing it! Might as well check out the whole thing. They excitedly found a treasure room as part of the unmapped portion of the labyrinth!

Well... earlier in their adventure (I can't even remember when), Ignerra had found the "unbreakable arrow of Aziel (goddess of war)". She had used it for something other than ammo - figured it would make a good crowbar while opening a chest - and it snapped. Seemed it was only "unbreakable" if it was used properly, and it snapped as punishment for abusing it???

Upon entering the treasure room, Jack discovered the partner bow to the arrow. As soon as he touched it, the broken arrow still in Ignerra's inventory repaired itself, teleported to the bow, nocked itself, and then fired at Ignerra. Before the party could react, Ignerra was smited by the vengeful goddess as punishment for abusing and misusing her gift to the world.

We were all in shock (and I do mean WE - the players, as well as the characters). There wasn't even a body to try to revive or bury. Ignerra vanished in an explosion of light!

Taking that as their cue that their priorities needed to be recalibrated, the rest of the party rushed back to the Black Gate.

Upon opening it, they were again ambushed by the Nightmare Tyrant's lieutenant and a new squad of assassins. It was a tough battle. Especially when we were down one party member. Each one of us briefly fell, only to be revived by our partymates. After a fierce battle, the heroes managed to kill everyone. Including the lieutenant!

Now the party had time to rest, recoup, and grieve the loss of their second fallen comrade. 

And the players had FIVE WHOLE LEVELS to advance our characters! We didn't level the entire labyrinth, so Hubby had us do all of our leveling afterwards. Upon leveling up Aubrianne, we discovered that I actually have Divine Intervention now! She can call upon her deity for help once per long (8hr) rest, as long as her deity doesn't actually answer her prayers. If they do, then there's a week-long cooldown before she can even attempt to try to call on her deity again.

Collectively, we knew what Aubrianne would do upon sensing this new level of connection with her deity: Legali of the Mask; God of Death (which, honestly, I'm surprised he'd ever answer since Aubrianne mistakenly believes herself a cleric of Zabaltha of the Candle; Goddess of Life, and therefore would be praying to HER). Regardless, Aubrianne prays for the return of Ignerra. It was a deity that smited her, maybe another deity could placate the angered goddess and return their felled companion. If nothing else but to give the Prophesied Heroes a fighting chance to stop the Nightmare Tyrant.

And... IT WORKED! Ignerra is back! And more powerful than ever (she was also able to level up to Level 10 like the rest of us).

Now two out of four pieces of the prophecy have happened. The party is now lost on the Fae plane as they head to the Palace of Dreams. We still have to decipher the second half of the prophecy, though:

That Which Never Sleeps shall reign until the Silver Fox lies in blood and light becomes shadow.

The Lord of Nightmares cannot be slain until the Black Cat rests upon the tomb and the Golden Scepter is broken.

Wish us luck! We at least know that "the Silver Fox" refers to one of the Nightmare Tyrant's generals, and that he's trying to revive the Tyrant. See, we also learned that when the Tyrant first attacked The Continent, no one could defeat him. So, in a classic fantasy trope, mages instead banished the Tyrant. However, they feared that he was still too powerful, so they sacrificed much to be able to separate the Tyrant from his mana/magical power. The Tyrant is locked away in the Palace of Dreams on the Fae plane, but his mana is somehow housed in this limbo between the Fae and Material planes.

Let's see how the back half of this campaign goes!

All of that was months - even years - ago, though. And it was collaborative story writing mostly directed by Hubby. How does this relate to MY writing?

Well, for one, I'm obviously part of this collaborative storytelling. For two, who knows where the story will go next, and I like relaying over a recap of the past 20 months of roleplaying (well... 14 months if you take out our winter hiatuses). You might be entertained to know our campaign plot, and it's a nice refresher for me before we go into the next leg of our campaign. 

For three, our playgroup was ready and itching to start D&D back up earlier this month. Hubby, however, was not quite ready yet. So, I decided to step in.

The Actual Play D&D group Hubby and I follow - Oxventure - had a couple of one-shot sessions that looked so much fun. The concept? Every player character is a Kobold.

Pretty much every D&D player knows what a kobold is. Along with "rats", kobolds are introductory monsters to throw at the party. As described by the D&D Monster Manual: "Kobolds are craven reptilian humanoids that commonly infest dungeons. They make up for their physical ineptitude with a cleverness for trap making."

Most notably, kobolds only have five hit-points and have an armor class of 12 (you need to roll 12 or higher on a 20-sided die to hit them). In other words: easy to hit, easy to kill.

The fun of "Everyone's a Kobold" is the knowledge that the characters are going to die easily and frequently, and then the player will just get a new kobold to run as the adventure continues.

When Oxventure ran their first two-hour-long "Everyone's a Kobold" one-shot the party of 5 collectively lost something like 28 kobolds.

When I ran my version for roughly the same length, I only lost 3 kobolds.... I definitely went easy on the group, and now I don't want to kill off the surviving kobolds if/when we do another Kobold one-shot! I'm attached, OKAY!?

That said, as I mentioned, part of the fun of Everyone's a Kobold is the rotation of new kobolds as player characters die. It seemed that Luke - who was DMing for Oxventure - might have had a Kobold Generator of some sort for his first go, but I couldn't find one myself despite spending nearly a full day searching. 

Alternatively, for their second go at Everyone's a Kobold, since it was a live show, they had the audience write up Kobold names and matching epithet. While I couldn't ask my players to do that for me, I liked the idea of having a pre-made "Kobold Machine" you could pull a new character from. I pre-made a 100-kobold "Gacha Machine". A list of 100 of these little dudes: name and epithet. I then had the players roll a d100 to randomly select their kobold from the list. 

Now that our first game is over, I'm going to pull the used kobolds and "refill" my Kobold Gachapon in preparation for our next kobold one-shot.

Kobold Gacha Machine metaphorically built and filled, I then made up reusable character sheets. It has the kobold base stats and a spot for the player to write down their current kobold and any extra notes that they might have. I then "redneck laminated" the sheets by covering them with clear contact paper. That way they can write on them with dry erase markers. Brilliant move! Glad Hubby suggested it for me.

I also looked again at that description from the Monster Manual: "They make up for their physical ineptitude with a cleverness for trap making." I needed to give my players a way to really utilize this trait. So, I gave them the "Flashback" mechanic from Scum & Villainy. Each new kobold that the players run gets one instance to "flashback" in order to come up with a trap that was already there prior. A trap that maybe the enemies would trip or a device that the kobolds could use to help them.

During the session, Hubby was the only one to remember this feature, and used his Flashback to create a pit-trap for the adventurers to fall into, but I'm getting ahead of myself.

OK, so I had the Kobold stats. While there's separate stats and mechanics specifically for when you run a kobold as a player character, we were running these kobolds as if they were the enemies adventurers have to deal with. Base stats work best. 

They were then given this new mechanic: Flashback.

I then looked at the epithets. The members of Oxventure are entertainers, YouTubers, and improvisers. They had fun getting these epithets and letting that inform them of their character, how to play them, and what kooky antics their kobold might get into. Our play group, however, is not quite the same level of creative or as gifted at improv. So, why not give them a little help? Each epithet meant that kobold was more skilled at something than their comrades. 

Cool! So the kobold names and epithets were generated, Flashback was added to the stats and skills, and I came up with bonuses for the players when they ran each specific kobold (well... I started to, at least, I'll loop back to that). Now to figure out what adventure they were actually going to go on....

I didn't want to steal wholesale what Oxventure did as if it were a module, for no other reason than Hubby had watched those adventures with me. He'd know the various plot beats built into the adventure, and it just wouldn't seem as exciting as if he went in blind. I couldn't think of an adventure where the kobolds weren't just easily slaughtered, either. I mean, part of the fun of the game concept is watching your kobold die and getting a replacement to play, but if it's an undefeatable massacre, it's less fun....

So, I needed something that would be challenging, but not necessarily deadly.

Oxventure's first go at this concept had a group of adventurers invading the kobolds' home. The adventuring party were uncharacteristically non-aggressive towards the kobolds due to one member being a bit of a passivist. She wanted to see if she could treat the kobolds like "locals" that could maybe lead the party through the cave network, and convinced the rest of the party to not be as aggressive against the kobolds. The players still lost over 20 kobolds by the end of the session because of various shenanigans where some accidentally killed themselves and others were killed when the adventurers' patients ran thin and began to attack. The kobolds always had a way to win against the adventurers though. 

I kept those thoughts tucked in the back of my mind: "Have a reason why the adventuring party wouldn't just default to being aggressive against the kobolds, and have a win condition for the kobolds despite many of them potentially dying."

I pondered the second Oxventure foray into the kobold game. For this one, the dragon the kobolds worshipped was feeling ill; possibly dying! They needed to find a specific leaf to help her recover. However, they're kobolds. They live in a cave network. They don't know one leaf from another. They have to venture out into the woods and hope they find the right leaf. The encounters here are all optional. Some sleeping bears they might be able to sneak past. Hunters and hunting traps they could avoid. Humans within a nearby village they could skirt around. Each presents an opportunity to kill off more kobolds in fun and unique ways, or they could be dangers future kobolds can avoid so it's not just an endless slaughter with no actual plot progression.

I liked this, but still wasn't sure what I could do that gave the same vibe.

I went back to the original idea, the one with the adventuring party. Maybe I could work with that. I went ALLLLLL the way back to my college days as I remembered the webcomic and subsequent comic dub of 8-Bit Theater by Nuklear Power.

For those who don't know, Nuklear Power "drew" the comic by grabbing game assets - the character and background sprites - from the 8-bit era Final Fantasy games. This sort of "drawing" comics (known as Sprite Comics) was super big in the early 2000s. As someone with minimal drawing skills, I kind of wished I was able to jump on the sprite comic bandwagon, but I never came up with a story concept before this era of webcomics died off.

Anyway, as stated in the Wikipedia article: "The comic initially follows and parodies the plot of the first Final Fantasy game, following the 'Warriors of Light' who are supposedly on a quest to find four elemental orbs to help them defeat Chaos. Instead, the characters mainly serve their own selfish interests, causing destruction in their wake."

The main characters that make up the "Warriors of Light" are all named based off of the class/job they have: Fighter, Black Mage, Thief, and Red Mage. A group of bumbling buffoons. Fighter is your classic gym-bro meathead. Black Mage is a sarcastic, ultra-violent sadist. Thief is a self-serving opportunist. Red Mage pokes violently at the 4th wall. He doesn't full-on break it, especially since the other characters treat his behavior as delusional, but Red Mage treats the world as if it were a tabletop game, typically rambling off D&D stats or using information provided from a Final Fantasy playthrough guide (although Black Mage does also do the same thing vis a vis the playthrough guide, full-on pulling one out within the first couple of comic strips). 

There's also reoccurring characters:  White Mage, a kind and competent priestess mastering in healing magic whom Black Mage is infatuated with, and Black Belt, a capable monk and expert martial artist. 

The Warriors of Light were my perfect adventuring party. With the exception of Black Mage, who would just blast everyone on sight, the party would be so incompetent that they might not pose a threat to the kobold community!

I mean, I got introduced to the series via someone quoting the lines:

[Black Mage:] "OK, let's think."
[Fighter:] "I like swords."
[Black Mage:] "Correction. I'll think."

I just needed to find a way to rein in Black Mage's tendency to blast everything to kingdom come. Easy! The kind White Mage whom he's pining over. She could play a similar role as the passivist in the Oxventure game. She'll want to be patient and peaceful with the non-threatening kobolds, and Black Mage would begrudgingly resist killing everyone as a way to appease White Mage. Fighter would be too dopey to consider being aggressive except for in retaliation. As a result, Thief would also hold himself back until opportunity struck.

Perfect! I had my group! I even had a reason for them to be in the cave! In the first comic of 8-Bit Theater, when we get introduced to Fighter and Black Mage, Fighter is trying to find the Cave of No Return in order to find the Armor of Invincibility! These idiots will think that the kobolds' cave is the Cave of No Return and that they are hiding the Armor of Invincibility.

Now to create quick character sheets for the adventurers.....

OK, so maybe that's not SO quick for me to do.... even if I did keep them at level 1 or 2.....

I ended up spending so much time working on those character builds and coming up with a plot hook for the players that I never did go back and finish creating stat adjustments to the various kobolds I had prepared.

Generated by Bitmoji

Sooooo I had to come up with the new stat blocks on the fly. I had the players roll for their kobold. I would read off the name and epithet. Then I'd ponder for a second or two as to what effected stats would grant a kobold said epithet. I think I did pretty decently for doing this on the fly.

Then the game started. I had them describe the caves to me and had them describe how they were spending their day before the invasion. I even mentioned that the dragon they worshipped - the players chose a green dragon - was currently holed up brooding with her clutch of eggs. My plan was for the adventurers to try to enter the dragon's nest, thinking that's where the armor was, and so the kobolds would have to try to stop the party. As if I were writing a story and the players were my characters... everything pretty much instantly went off the rails!

One of the kobolds, completely clueless as to what "armor of invincibility" would be, said that it was on display within their museum! Yup. Guess this colony of kobolds are advanced enough to have started up a museum! I mean, I did give one of the kobolds the epithet "archeologist" so..... yeah. Museum!

They then bickered back and forth about which direction they needed to go to get to the museum, confusing the party of adventurers. As they made their way, they had to avoid spiked pitfalls, and got ambushed by reanimated skeletons. This was the first big opportunity for the adventurers to show off their power!

Except.... I'm the one who was rolling for them. Me and dice are not the GREATEST of friends.... I rolled too low to do anything for just about all of the adventurers. I just kept laughing. Yes, in the comics, despite being idiotic 99% of the time, the Warriors of Light still managed to hit like TRUCKS. They were almost over-powered when they actually managed to attack something. However, their vast incompetence just felt like it translated properly into my homages by having my versions fail MISSERABLY with every swing.

In the end, the "heroes" were able to take out the skeletons, but it also proved to the players that they MIGHT be able to take down the adventuring party, if needed. Also, it allowed for them to have their kobolds show off a bit, which was fun.

After dealing with various traps throughout the trip, and then the reanimated skeletons, the kobolds managed to bring the adventurers to the museum: random scratchings carved into the cave walls; display of pretty rocks; a notable Kobold club that managed to stay intact after a few uses. That sort of thing.

And, in the center of the museum, a large chunk of metal that had peeled off of a ship, I think? Again, I had my players describe the museum to me (since they ARE the locals). The sheet of metal was impenetrable for the kobolds' weapons, therefore, they believed it to be "invincible". This lead them to believe that this metal must be the "armor of invincibility" that the adventurers were looking for.

Annoyed at everyone for the runaround, Black Mage started raging. Blasting off dangerous spells. Destroying the displays as he attempted to kill the escorting kobolds. They had ducked behind the "armor of invincibility" for safety, and Thief had joined them to also dodge Black Mage's wild attacks.

Eventually, Fighter and White Mage were able to corral Black Mage and escort him back out of the cave. Thief begrudgingly followed the rest of his party, but not before losing a bet against Hubby's kobold, making him the second-richest kobold in their colony after winning a single silver coin.

All-in-all, there were lots of laughs, but barely any deaths! It's to the point where I felt guilty killing off the otherwise full-game survivors during Black Mage's raging. So, I fudged the numbers a bit and let them rest on just one hit point. Give them a fighting chance to survive. AND THEY DID! So, two players had their kobold survive the whole session! For shame on me. I need to go harder on them next time we try this style of one-shot!

In the meantime, how about some somber Hunger Games style memorial canon fire for the fallen?

RIP

  • Degdesk the Clown, drowned in a river while trying to hide from the adventuring party
  • Dakrid the Archaeologist, shredded by the jagged edges of The Pit after failing to safely jump across it
  • Scoker the Protective, decapitated by a reanimated skeleton shortly after writing "Danger" across the chest of another reanimated skeleton 

I think I have the makings of a plot hook for the next Kobold One-shot that I'll run. I'm trying to have everything pre-prepped. That way, if Hubby isn't prepared - for whatever reason - for a scheduled campaign session, or if someone has to cancel last minute, I can break out the next Kobold idea so we can still play D&D that night.

Along those lines, however, if any of you have some ideas you want to pitch my way, I'm all ears!

Either way, it was just fun to be the main creative again. To come up with plot hooks and story ideas. I needed that. I didn't need the stress of trying to come up with something by a deadline, but having that deadline - that need to come up with SOMETHING - really helped jumpstart my creative juices!

Naturally, this lead me back to Seduce with Caution. 

As you know - especially if you read LycoRogue's Reading Corner - I read a lot of romance stories. A lot of slow burn. A lot of subtle flirting and blushing. Yada yada yada. All of which had me thinking about Marinette and Chat Noir realizing they can't continue ignoring their feelings after an unexpected kiss lean-in.

I have debated for years now whether the two of them should actually kiss before verbally acknowledging their feelings or if they should just lean in for a kiss, only to be interrupted at the last second.

I finally decided on "near kiss". 

Something happens. They are caught up in the moment, forgetting everything. They don't think about the fact that they haven't verbalized their feelings yet. All they know is that they are desperate to kiss the other person, and said other person seems just as willing for that kiss. They cautiously lean in. The other person does the same. Their lips are millimeters away from touching. But something stops them! Does one of them come to their senses at the last second and pull away? Are they interrupted? Was the lean-in not meant to be for a kiss????

That last option is courtesy of a trope I've been seeing in those romance stories. The Male Lead (ML) and Female Lead (FL) would have a quiet moment to themselves. FL gets surprisingly vulnerable and open with ML, only to be embarrassed about it and shovels food into her mouth to get herself to shut up. ML, super serious, has her put down the food and leans in close, stroking her cheek. FL freaks out. "Are we about to kiss!?!" she thinks.

Buuuuut, nope. ML simply spotted some food on FL's face by her mouth (on her cheek, next to her lips, on her chin, etc). He wanted to wipe it off for her. Neither party knows why he didn't just point it out for her to get. It's obvious he just wanted an excuse to be that close and to touch her in a more intimate manner. Neither acknowledge that fact.

In the end, I decided to go with "they were interrupted". Although, Aurora Morgen agreed that "shovel food in mouth after embarrassing self" is very much a Marinette-style move. As is "seriously lean in as if to kiss, only to clean off some crumbs" is very much a Chat Noir/Adrien move. Especially if he was intending to kiss her, only to think better of it last second and using the "you had something on your face" as an excuse for the closeness.

So, I may go back and rewrite THAT scene. See which one I like better.

In the meantime, I DID write something!

I had intended to go back and rework MariChat's first night together now that I have more experience under my belt post-You Pretended Not to Care. However, when I opened the story folder I instead focused on the unfinished attempt at that kiss lean-in scene. That's what I had been thinking about for a little while. Why not try to write it out? I even had a basic skeleton that I've been meaning to write for - again - years now.

Roughly when I was first working on SWC, Hubby had us watch Pitch Perfect. Excuse the minor spoiler, but.... There is a scene where the male lead Jesse is visiting his love interest, the female lead Beca. He is a complete nerd about movie soundtracks and wanted to show Beca specifically the ending to The Breakfast Club (after being amazed that she had never seen it). As they watch the closing scene, Jesse starts talking about the music, how good the ending is, and he does the fist-thrust in tandem with the movie. Beca is more entranced and amused by Jesse and his passion, so she's watching him instead. Slowly leaning towards him to see him better in the darkened room. He turns, a bit startled to catch her so close to him, and comments on how she's missing the ending. She apologizes, turns to the screen, only to instantly turn back to notice he's still watching her. They lean closer to each other. The lean-in transitions into one where they're about to kiss. 

Only for Beca to suddenly pull away last second.

I instantly was like "Yes! This! I need to recreate this for my MariChat story!"

I just love that trope as well:

Person A is talking passionately about something. Person B is so mesmerized by this passion that they naturally just lean closer. Person A, so engrossed in their hyperfixation that they don't notice Person B's lean-in, turns to address Person B directly. Holy smokes! They're so close!

Both parties pause. The tension is there. Person A is now the one leaning. They nearly kiss... but either one pulls away last second or they get interrupted.

Like. That's SOOOO GOOD. Right?

I had failed to properly capture that magic the first few attempts back then. I put the scene aside to try again after clearing my head. I then just... ignored it for a few years.

I was determined to try again the other day.

A little over 3 pages and a little under 1300 words later, I had my scene. Not the full scene. I still need to sort out the lead-in. But I have 97% of a scene.

Problem is, much like when I tried and failed years ago to recreate that Pitch Perfect scene, I again missed my mark. Instead of that "I'm invested in your enthusiasm" unintentional lean-in, I ended up with a pseudo tickle-fight. At the end, when Chat Noir thinks himself victorious, he's overcome by how sensual Marinette looks to him in that moment. Hormones and desires override his brain, and he starts to lean in. The same happens to Marinette, and she tries to close the gap.

Aaaaand then they're interrupted by an akuma alert!

Chat Noir is needed out in Paris, so he begrudgingly leaves to assist his partner. Meanwhile, poor Marinette is trying to get herself calmed down so she can fight beside Chat Noir as her superhero persona.

I figured there's lots of juicy drama stirred up this way, compared to my original plan. Said plan was to have Chat Noir feel guilty at the last second about Marinette not knowing that he's Adrien, and pulling away. Only for them to independently freak out in their respective bedrooms about what the near-kiss must mean.

But postponing that freak-out? Having them not deal with it while it's fresh and instead have to focus on an akuma battle? I like that drama. Even if I don't like the prospect of having to come up with another akumatized villain.

The show itself has recycled/reused old akumatized villains. Do you think the fandom will let me get away with reusing canon akumas as well???? If so, which one(s) should I use?

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Edited by LycoRogue

Regardless of how I handle the akuma attack, I'm still wondering if the pseudo-tickle-fight is the best way to go for this pivotal moment. Should I keep it? Should I try once more to direct these two idiots (who clearly like to think for themselves and pull the narrative their way) in order to better recreate that Pitch Perfect scene? Do I go with the manhwa "you've got something on your cheek" fake-out trope?

What do you peeps think? Also, I'd love pitches for potential akuma attacks throughout this story. If you have any akumatization concepts that work with the awkward "Marinette as Ladybug is trying to ignore her feelings for Chat Noir while Chat Noir is trying to not feel guilty about his love for Ladybug waning" vibes, I'd love to hear them! Drop them in the comments section below!

In the meantime, I'll work more on my next Kobold One-Shot prep and see if I can get any more chapters of SWC to shake out of my head.

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I think it should be fairly obvious what I am grateful for this month. I mean, don't get me wrong, January has been trying. 2025 did not start off on the greatest foot.

That said, though, how can I NOT be grateful that I'm getting back into a writing rhythm. To the point where I hit both blog update goals (even if LRRC was a few days late), AND I got this update published in the month it was for!

And to come up with ideas for my kobold game, and to actually get back into working on Seduce with Caution? I mean, come on! Good things. Lots of good things to focus on.

And with that, I'm going to try to ride this motivation into February! Catch you all around Valentine's Day!

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