Showing posts with label Lost Loves and Paramours. Show all posts
Showing posts with label Lost Loves and Paramours. Show all posts

Tuesday, February 7, 2017

Hopping Eons into the Future; Yet Another Character Forms

Strike two for the Writers’ Huddle winter challenge. I got a little further this week; I opened a word document and saved it as the next chapter. I then began outlining the story arc of the chapter. Then I had to go to bed and didn't find time to touch it again since.

Even after two months, the feelings are still a bit raw for Jolene. I think, in order to finish off her backstory, I have to first figure out what her new present-day story will be. The more I focus on that and her in Gyateara, the less I should be thinking about her on Laerrnesse. I might be able to get back to my story then. Sorry, Shadow, you're probably going to have to wait until the end of the year to read her story now.

This leaves me in a bit of a pickle for the challenge, though. I already flopped the first two weeks, decided that maybe I'm just not in the right mindset to continue the story I set out as my challenge, and have four weeks left. Do I just pull the rip-cord?

Instead I went back to "A Writer's Book of Days" by Judy Reeves. It is now a week into February, and I'm still a month behind on the daily writing practice prompts. I've managed to crank a couple of those out over the week, but still not nearly enough for my liking.

While, including this blog post today, I'm on a nice five-day writing streak - longest I've had since the start of the year - I did miss three days last week. Also, while it didn't keep me four days of little stolen-away moments like the Amara story last week, I did have a prompt that kept me two days to finish due to time restrictions.

This whole working instead of writing thing while I'm at my job is really a hindrance.

I also didn't have time to go back and digitize my stories, let alone edit them. So I don't have anything new to share today.

Which reminds me, I had my journal with me when I went to Cyhyr and Ronoxym's for their Superbowl party on Sunday, and I completely forgot to have Ron read some of it as proof that I again wrote something under 1000 words. I also forgot to poke him about his challenge for this year: show me some sort of completed story/prose once a month; be it a full story, just a chapter, a flash fiction, an outline for a story, or a character bio.

I might really suck at this whole "Checking in on challenges for accountability" thing.... I need someone accountable for my accountability....

Anyway, my point was that I need a challenge that I can actually achieve, and writing more about Jolene doesn't seem to be achievable right now. I'm not excited about her any longer, and I need to find a way to jumpstart that excitement again. I also want to EVENTUALLY have my journal entries actually written on the day indicated, instead of a month later. So, while I'm trying to re-find my love for Jolene, I'll use the last four weeks of the challenge to try to play catch-up with the daily prompts.

I will now write two per day until I am caught up, or the challenge is over, whichever comes first. If I do manage to write at least two prompts per day, I will be caught up by the second entry on March 9th. Knowing me? I'll slack off some time and it will be about April that I catch up. Still, A GOAL IS SET!

We'll see how well this works, considering I struggle with just ONE prompt a day. Still, if I aim for two, I'm more likely to schedule the time to at least get ONE written. Right?

In the meantime, I've got yet ANOTHER character in the works.

For Christmas my family got Hubby the player's guide for a new roleplay game: Numenera. I don't have a name yet, but I think I have the broad outline for a character made up. The way you create your character for this game is that you are given the generic sentence "I am an adjective noun that verbs" and you fill in the blanks with the provided word types.

The adjectives are appropriately your "Character Descriptors." Within the core rule book, there are a dozen to choose from, and one of those can actually split depending on if you picture yourself using the stats for more technological or mystical purposes. The point of the Descriptor is to create your character's link to the starting adventure of the overall campaign. Depending on the Descriptor, you are given four options to choose from, as well as a bunch of bonuses for your character.

An example would be Intelligent:
You're quite smart. Your memory is sharp, and you easily grasp concepts that others might struggle with. This aptitude doesn't necessarily mean that you've had years of formal education, but you have learned a great deal in your life, primarily because you pick things up quickly and retain so much.

You gain the following benefits:
Smart: +2 to your Intellect Pool.
Skill: You're trained in an area of knowledge of your choice.
Skill: You're trained in all actions that involve remembering or memorizing things you experience directly. For example, instead of being good at recalling details of geography that you read about in a book, you can remember a path through a set of tunnels that you've explored before.

Initial Link to the Starting Adventure: From the following list of options, choose how you became involved in the first adventure.

  1. One of the other PCs asked your opinion of the mission, knowing that if you thought it was a good idea, it probably was.
  2. You saw value in what the other PCs were doing.
  3. You believed that the task might lead to important and interesting discoveries.
  4. A colleague requested that you take part in the mission as a favor.
~ Pg 35 of Numenera Player's Guide by Monte Cook
The nouns are the "Character Type," which is usually called the "Class" in other RPGs. There are only three to choose from, but they each become vastly diverse depending on the adjective and verb you choose. The three types are Glaive - your typical fighter classes, Nano - the mages, and Jack - short for "Jack of all trades"; your rogue-like classes.

On top of the adjective and verb attached to the Type, there is also diversity in the Type itself. Since each Type encompasses so many other generic RP classes, you can figure out if your Glaive is a brutish swordsman that used to be a town guard, or a primitive mountain man who has lived off the land his whole life, or a noble fighter of the people who believed he was blessed by some divine being. Player interpretation is key. Beyond that even, there are three different backstory options for you to choose from in order to pick how you became that skilled Type in the first place.

We'll use samples of Jack as an example:
You might hear people say that a jack is just the typical everyman (or everyperson), but don't believe it. You aren't like anyone else. You can do things that no one else can do because you do so many things. You're a warrior, you're a thief, you're a diplomat, you're a sage, and you're a spy.

When you choose jack as a character type, come up with an explanation for how you learned your wide variety of talents. Choose one of the three options described below. It will provide the foundation of your background and give you an idea of how you can improve....

Born Lucky
You seem to be better than most people because you are. Your ancestors were part of a genetic experiment, and your genes are superior to those of the average human.... Some of your genetic advantage might even grant you low-level psychic abilities that greatly resemble the "miracles" performed by nanos.

School of Hard Knocks
You learned things the hard way - on your own. Adaptive and canny, you express the true strengths of humanity in your ability to adjust quickly to circumstances, pick up new tricks to succeed, and ultimately survive when you probably should be dead....

A Cobbled Jumble
You're the product of generations of eugenics, bolstered by minor cybernetic enhancements, a few small psychic abilities, and the lessons of secret masters. In other words, you don't have one source of power or one explanation for your abilities - you have many, and as far as you're concerned, that's the best formula for success....

~ Pg 28 and 29 of Numenera Player's Guide by Monte Cook
Finally, and this is the part that makes things REALLY diverse, you have nearly 30 different verbs, or "Character Focus," to pick from. While the Descriptor gives your character bonuses and a reason for them to join the quest, the Focus gives you the battle options and your connection to at least one other Player Character.

Each Focus is about a page long, so I can't really give an example of the full concept. However, for the basic flavor, I'll sample the first focus: Bears a Halo of Fire.
You can create a sheath of flames around your body. You leave scorch marks wherever you go, and you can't handle combustible objects without first dousing your inherent flames. If you perform esoteries (or similar effects beyond the abilities of normal humans), all your effects are tainted with flame. Fiery visuals accompany your powers, and in some cases, your predilection for flame actually reshapes your abilities to take on a fiery nature where none existed before.... For example, force blasts from Onslaught are blasts of flame, and Flash is a burst of fire....

You probably wear red and yellow, or perhaps black.

Although most of those who take up this mantle are nanos, flame-wielding glaives and jacks are fearsome indeed.

Connection: Pick one other PC. Through a quirk of fate, your fire cannot harm that character.
Additional Equipment: You have an artifact - a device that sprays inanimate objects to make them fire-resistant. All your starting gear has already been treated unless you don't want it to be.

~ Pg 38 of Numenera Player's Guide by Monte Cook
So, even if every player picks "Glaive," there can be some vast diversity among the party. Between the 12 Descriptors, 3 backstories, and 29 Foci, just one Type can have over 1000 different character builds! And who's to say that one Intelligent Psionic Nano who Bears a Halo of Fire is going to be played the same as another? Player interpretation kicks in there to add even more diversity! If that's not enough, there's already expansions to the core books that add even more Descriptors and Foci....

SO. MANY. POSSIBILITIES!

I'm still struggling with my character a bit, though, mostly due to option overload. The personality that popped into my head is definitely more of the street-wise School of Hard Knocks Jack than the book-smart Nano, however, I loved the idea of the Port and Plug Nano. So, with over 1000 possibilities for me to build my Nano, I decide to start my very first character sort of "off-book."

She WOULD have mastered skills that would define her as a Jack, but this orphan was actually kidnapped off the streets by a cult who experimented on her. Cybernetic surgeries were done to "enhance" her, against her will. She eventually became strong enough with the numenera to break free of the cult, but a bit of her brainwashing might still remain.

She is now a Nano not because she wanted to learn about the numenera, but because it became her way of life. It is how she survived and how she will continue to survive. She has learned to live with the scarring and mutilation of her body. In fact, she now greatly sees the benefits of being able to master the mystical force around her, simply by plugging in a new piece of tech. She studies the ancients as well as nanites and how they make up the numenera force. She realizes that the more she understands the numenera and how it came to be, the easier it is for her to better wield it. She may not be able to undo what the cult did to her, but she will use it to its every advantage now.

This is still open to change, but based on the above build, my sentence is:
I am a Mechanical reluctant Plugs and Port Nano who Fuses Flesh and Steel.

However, I am also quite partial to the Descriptors: Graceful, Intelligent, and Stealthy.
I'm also quite partial to the Foci: Controls Gravity, Crafts Illusions, Focuses Mind Over Matter, Masters Defense, Rides the Lightning, Controls Beasts, Talks to Machines, and Bears a Halo of Fire.

In fact, prior to reading the other foci in their entirety, Bears a Halo of Fire was the one I was all but convinced I was going to take. Plus, Controls Beasts or Talks to Machines would have been fun with Shadow's Mountain Man character. I could mess with him with either focus option since the connections are for the selected PC to somehow disturb the beasts I control, which would annoy Shadow who would be One with Nature, or that the selected PC is terrible with technology and would make the machines I communicate with worse. It would end up biting me in the behind, but again, how flavorfully appropriate for a Mountain Man to mess with machines like that?

I also have a bunch of reference pictures for my lady - what I was working on for hours last night instead of writing or typing up my already written prompts - but I couldn't find one picture yet that depicts my character in her entirety.

Yet again a time when I lament not being able to draw....

I guess I should start with a name for her, though. I'm picturing something mildly Latino for some reason. Considering the world of Numenera is Earth eons into the future, who knows what name-structure is like? It will be fun to try to explore those options. I'll have to keep you informed with how I'm doing as I go.

By next week I should have at least one story typed up to share, as well as at least a name for this new girl joining the ranks.

Tuesday, January 24, 2017

WRITE ALL THE THINGS!

Finally getting into my groove, or at least the start of my groove. Haven't managed daily writing quite yet, but I did FINALLY get a week where I didn't have more than three zero-days.
And they're all smiles this time! If I wasn't writing this blog
I was working on narratives all week. Yay!
Unfortunately, where I did slack this week was in the realm of editing. Everything is still a raw first draft, so I don't have my writing to share with you. I'll have to focus on that next. At least I know I have three things to share when I'm done with the editing.

I started writing in my "Do what you love" journal, going back to the January 1st writing prompt in "A Writer's Book of Days," and working my way forward. At the rate I'm going, though, I'm never going to catch up. I'm still only working on one prompt per day, and I did miss Saturday and Sunday. Still, I'm writing semi-daily, so it's a start.

I also started reading my fiction narrative: "The Serpent's Shadow" by Rick Riordan. It's my book to complete a series: The Kane Chronicles.

I've had a lot of downtime at work, but I was also feeling a bit under the weather. This prevented me from thinking clear enough to use that downtime to write more frequently so I could make up some ground with the daily prompts. However, I was well enough to use that time to focus on something I didn't need to create: e.g. - reading.

I'm about half way through the book thus far, and I might actually finish it before the end of the month, dependent on customer frequency.

I've read the "January" portion of WBoD, and I'm working through the first chapter of "Ready. Set. Novel!" although, I have been slacking on THAT daily work. I'm also within reasonable reach of finishing "The Serpent's Shadow" by the end of the month. Not too shabby in the reading department this month.

I've also had some interesting developments with regards to the writing practice.

The first came with RSN! I was doing a "What if..." workshop. You pick one of the three basic story concepts you created in the previous exercise, and you fill the pages with "What if..." questions about that concept. Some examples that the book gave were "What if a woman finally met Mr. Right... on her honeymoon?" or "What if every inhabitant in a small town woke up one morning and discovered they'd all had the same dream about dancing the tango?"

Well, the journal I'm using for this run through of RSN! is purple. I picked purple at first because it's one of the few colors I don't have in a journal cover yet, so it would stand out. Now, it occurred to me that each of my characters more-or-less have a color "assigned" to them. I believe I addressed this last week. So, I unintentionally chose purple in order to use RSN! to help me come up with Jolene's story beyond "Lost Loves and Paramours." I tried to not have that influence me as I did the exercises, but the broad story concept I came up with was High-fantasy, Magic, and Broken Characters.

A lot of the What Ifs were definitely based on questions I already had for Jolene. However, I did surprise myself with this one: "What if a character used magic to create artificial companionship, because they are too afraid of genuine connections?" I then followed up with "What if a man was using magic to establish artificial companionship in an increasingly disturbing manner: originally just using magic to become a famous mage for the false companionship of adoring fans, and then using magic to create animated puppets as companions, and then using summoning spells to create slave companions, then perhaps escalating into necromancy for human-like companionship, and peaking at using his magic to brainwash citizens to be his human puppet companions?" I was liking where I was going, and surprised myself with this next question: "What if the man who was making artificial companionship was originally the romantic interest of the protagonist, and goes to the Forced Will extreme instead of being 'saved' by the protagonist; forcing a terrible conflict between the two, and revealing the mage as the 'true' antagonist of the story, instead of the red herring villain they were going after up to that point?"

It would be a very tricky story concept to work masterfully so the audience wouldn't see it happening too far ahead. I'd have to definitely become very skilled in doing this plot. However, I may never have even thought of it if I didn't let my mind wander into the world of "What if..." for this exercise. Precisely why it was presented, I'd wager. I'm loving the twist. I'm excited what I could do with it.

In the meantime, I still have "Lost Loves and Paramours" to finish. Which is why I'm using it for my winter challenge over at Writers’ Huddle. I'll get back to that in a moment. First, I want to talk about the other interesting development I had this week, before I get side-tracked.

I wrote something about Amara yesterday. It was the first time I've written something formally for her in years. I'm talking close to a decade. It's been so long, I've forgotten the names I came up with for her traveling companions. I remember the races they were, the classes they were, and roughly the dynamic they had among themselves. Their names were completely gone from my head, though. So I grabbed at the first ones I could while working on my writing prompt yesterday.

It was for January 3rd: "You are in a courtyard." Instantly, I was flashed back to a scene that used to play in my head all the time for Amara, and I knew I had to run with it. The scene takes place about half-way through her story, and shortly after the leader of their little band confesses he loves Amara. She basically blows him off, calling him a moron who has no clue what he feels, and tells him that no one has ever loved her. It's the first real sign of vulnerability that Amara shows, the first time she lets her guard down enough to confess a truth of hers; even if it's not the ACTUAL truth.

She and Jolene have that in common: what they perceive as true to their very core, isn't necessarily factually true. In both cases, this bastardization of the truth is about the concept of love, and the legitimacy of it. For Jolene, it's due to far more broken hearts than anyone her age should have gone through. For Amara, it's due to never witnessing kindness throughout her equally young life; only violence and manipulation.

Anyway, the courtyard scene is Amara reflecting on how drastically different she is compared to those around her. She studies the high stone walls surrounding the courtyard of a noble's estate they are currently recovering at. Instead of focusing on the friends around her, the man who loves her, the kind noble woman who is keeping them safe, or the beautiful surroundings they have to help them relax while they heal, she's focused on the wall, and how it's trapping her in.

I'm so glad I was able to finally articulate this scene. Now I just need to edit it and post it online.

I also need to see if any of the journal entries I wrote this week actually have 1000 words or less for Ronoxym's challenge. He's been slacking in harassing me about sending him the shorts each week. I've been slacking in actively attempting to write them. I've also followed Judy Reeves' advice via WBoD: Write long-hand; pen to paper instead of typing on a computer. So, unless I want to take the time to sit and physically count my words, I don't know how much I write until I transfer it onto the computer: the step I hate doing, which is one of many reasons I try to avoid writing on paper.

I think I did manage to hit his challenge this past week, even if I didn't send it to him. I'll have to check how short my one entry was.

Well, along with doing the daily writing practices from WBoD, and slowly moving through RSN!, and making sure I have at least one 1000-words-or-less story for Ron, I've also signed up for the WH winter challenge yet again. As per usual, you complete weekly tasks you set up for yourself in order to reach the six-week goal you created when you joined the challenge.

For me? I've spent enough time trying to avoid the sorrow of Jolene's next chapter. So, I'm forcing myself to work through it, and beyond it. During NaNo I managed close to a chapter each day. I'm now asking myself to write one per week. This should finish up Jolene's time at the brothel, go through her time of being a sort of free-agent prostitute, and at least get her into the thieves' guild.

A LOT of little writing projects going on. For a year whose theme was suppose to be "Focus," I seem to be doing the exact opposite. We'll see how it treats me. I may have to put the daily writing practice and RSN! away until after the challenge is done, but I'm going to at least start off trying for all of them. They each only take about an hour or so. I could start off my writing sessions with the daily prompt, and then get myself back into focus for Jolene once I've already gotten over the hurtle of sitting down to write. Start off with something fun to get me in the mood. Or finish my Jolene sessions with RSN! to do a fun exercise as a reward.

I'll figure something out.

Tuesday, December 13, 2016

Get All The Reading Done!

I'm just going to confess right now: I didn't write. Not a lick. I didn't even role play this week, since I had to work through the D&D session on Saturday. Instead, I spent the week still catching up on chores I had neglected in November in favor of NaNo. I've also worked on prepping for Christmas, as well as organizing the living room a bit. Mainly due to the fact that I bought brand new living room furniture! Aside from the kitchen island my mother bought us for my birthday a few years back, this is literally the only bit of new furniture that we own. Exciting!
Hubby picked the matching loveseats out. Awesome, right?
Anyway, the last thing that I've been focusing on this past week is READING. I still have two more categories in the 2016 Reading Challenge, and I haven't touched either yet. But I'll get back to that.

First, I wanted to state that at writing group last week I ended up reading my still-yet-to-be-edited first chapter of "Lost Loves and Paramours" - my NaNoWriMo story about Jolene. It was glaringly obvious that I "head hopped" - switched from one character's POV to another's - and I'm not entirely sure how to fix that. Especially since I do the exact same thing in a later chapter, and that switch to Teo's POV from Jolene's is one of my favorite scenes. However, I only jump from Jolene's POV about three or four times, and for maybe 1000 words out of the over-all 50,885... So I have to find a way to keep the story entirely in her head, or I have to include a lot more scenes where we're in the man's head. It will be a challenge to edit this thing....

Plus side? That was the only critique: I head hopped, and it was mildly jarring. The room seemed otherwise stunned at how well my first draft was. Well, all but one woman who has kind of been rubbing me the wrong way; she simply said "I don't comment about people's first drafts." Um... isn't that the point though? I didn't realize our writing group was simply a place for us to stroke each other's egos. I thought it was a safe spot to come together, read our works, get critiques in order to improve, and work out the kinks so that we can all become successful.

Keaton also irritated me about the same thing a few months back when I wanted to talk more about one of my stories, but I only had the outline; not the actual narrative. I wanted to go over the outline to see if people could help me figure out the structure of my story before I actually started writing, yet she didn't want to hear it; claimed she didn't want it to spoil the story itself by having her know what was coming. Instead, she wanted me to read whatever narrative I had.

I mean, I get it, but at the same time, if the outline is done well enough, it should still be engaging. People should still be like "I want to know more" or "I can't wait to actually read this!" It's a synopsis, and if it's good enough, it should make you want to read/watch the actual thing. Right?

On top of that, DFL doesn't like to read her stuff or talk about her writing progress at all because she doesn't want to "waste anyone's time" with seeking help. She doesn't have anything new to read to the group, so we should just pass on by her instead of allowing her to ask questions or talk about her latest research in the matter.

After a year with this group, I truly feel they are missing the greatest point of having the group in the first place: a place for us to grow.

So, I want DFL to talk to us about her progress, even if no new narrative is written. I want Keaton - and all the other members - to listen to the pre-production of novels: the story concepts, the general plot/theme concepts, the outlines, the character descriptions/builds, the world-building, etc. I want this new woman - who, technically, is an old member who has finally returned to group - to comment on first drafts so we can know what to look for when we edit. If she points something out - like the head hopping - that the author already knows is a problem, a simple "Yup, I know. I need to fix that" is all that's needed. That's exactly what I said to Carson when he pointed out the head-hop in my chapter. I blushed slightly and said "Yeah. I do that. I know I need to fix that." But who knows if this woman had insight to my draft that I never thought of?

Still, having every one else - aside from that woman - say they couldn't think of anything else to change, aside from fixing the head-hop, was very encouraging. In the past - as repeat readers probably already know - I was paranoid that their lack of commenting on my writing was due to them brushing me off; my writing, or I, wasn't worth their time. They'd focus more on some of the older authors; giving longer critiques of lines they loved, words that seemed out of place, and character building.

I still don't really get any of that. None of my lines seem to stand out - either because they're excellent or terrible - and no one seems to go on and on about my character builds. However, in-between group sessions, I get a lot of comments from the group members about Jolene. They all seem really interested in hearing her story. Then there's the fact that they all actually verbalized last week that they couldn't think of anything to change, because the story was good. It's giving me confidence that they truly didn't comment in the past simply because they couldn't think of a critique, not because there was so much wrong with it, they didn't know where to start.

So, there's that.

Now, back to the Reading Challenge.

Upon review of this blog, it seems the last time I really talked in-depth about a book was my thoughts on "Xenocide" back in June. Aside from that, I did talk about "Ready Player One" while I was reading it, but didn't give it an overall review once done. I kept meaning to do that as my "make up" posts to still get me to 52 by the end of the year. Yet I keep falling off the horse about that too.

Therefore, I will not guarantee it will actually happen, but I do really want to reflect on all the books I read this year in one blog post. I might do that as my "year in review" post that I write each December. I haven't quite figured it out yet.

For now, though, I'm racing through "The Hammer of Thor," the second book in the Magnus Chase series written by Rick Riordan. In fact, as of this writing, I only have 30pgs left to read. I almost polished it off last night, but my eyes began to glaze over at about midnight.

I'm a bit behind; I wanted to be done by the 10th. That way I could break down the last three categories I needed to cross off into three 10-day blocks; allowing me to finish by the end of the month. Aside from reading "Coraline" in a day - one of the challenge categories - this would be the fastest I've read a novel: 10 days.

Well, in recent, post-college years, at least. When I was in high school and middle school I would be able to take a whole Saturday or Sunday; curl up in bed, and just read all day long. Can't really do that anymore. Stupid adulting.

Anyway, once I'm done with "The Hammer of Thor" I really TRULY need to figure out the last two categories that I've been avoiding all year long. As of right now I STILL don't have a clue what I should read for "Should have read in school." Because the only books I didn't actually read in school - that I can recall - are "The Old Man and The Sea" by Ernest Hemingway, and "The Red Badge of Courage" by Stephen Crane. In both cases, I did read about half-way through the books before giving up on them. Both cases, I gave up mostly because I kept falling asleep while reading. These books are just painfully boring to me. The plot and/or characterization just isn't there. I can't connect.

Both books are fairly short, however. Perhaps I could plow through in less than 10 days, call the challenge complete, and move on to the banned book. The other alternative to the "boring novels" for the "should have read in school" category is also super short: "Of Mice and Men" by John Steinbeck. Hubby was actually so shocked when I told him that this book was never on my required reading list in school, that he handed me his copy about a decade ago, and told me to read it. That and "Lord of the Flies" by William Golding; another book I couldn't stand.

Anyway, I could always reread "Of Mice and Men" and call that challenge category complete, even if I had read it before. Or I could tackle the two books in my entire schooling career that literally put me to sleep. Or I could go for another classic that most were forced to read, but it never ended up on my school's required reading: "A Stitch in Time," or "The Giver," or Shakespeare's "King Lear." See? Still have no clue what I'm reading.

Same goes for a once-banned book. There's so many to choose from! Also, the list of banned books is not very consistent. I can't find one comprehensive list, when I assumed there was one that libraries used for their annual Banned Books Week. For those who don't know, this is a week at the end of September where libraries purposely display books that were banned or challenged; encouraging others to read these books. It is an expression of Reading Freedom. For more detailed info, please check out the link.

Anyway, books I "should have read in school" could also cross over into these "banned books" category. Some most notable are "Of Mice and Men" and "The Giver." There's also "A Stitch in Time" or "The Adventures of Huckleberry Finn" or "Brave New World" - a book I greatly enjoyed in school - or "Nineteen Eighty-Four."

I think I'm largely leaning towards 1984. For three reasons: One, it's the year I was born, so why not?

Two, so many TV shows, movies, and books reference it. Heck, even I use "Big Brother" frequently. It is such a well-known concept of a book, and the main parts of the story have bled into modern culture without a lot of people truly knowing its source. I want to know the source.

Three: Spink is reading it, and it inspired me to want to. It's considered such a great classic by most, and it seems a shame that I haven't cracked it open yet.

So, heading into this final stretch for this challenge, let's take a look at how I'm doing so far:
Challenge created by Modern Mrs. Darcy
The coolest part is that I've also read four books that don't fit on the above challenge list: two self-help/how-to books and two fiction novels. Not too shabby for someone who only read one book last year! I might try for two books a month next year.

Tuesday, December 6, 2016

NaNo Winner!

That's right! I did it! I finally did it! Six years after I attempted my first NaNo, after five attempts, after a year hiatus from the challenge: I did it!

Pardon me for puffing my chest up a bit, but this is such an accomplishment! It'd be an even bigger one had I actually finished the book. Nope. Jolene has a much more epic back story than I thought; at least, in the first draft form. Over 50,000 words into the story, and I'm only about 60% of the way, if that. It's a lot more of an undertaking than I thought.

Back to the important part, though. I completed NaNo finally! Conquered that beast. It was a bit of a struggle. I had to write my fingers off to accomplish it. The last two days I wrote 13,745 words! I think that's the most I've written in such a short time. If it isn't, it's in the top three. I was actually nervous about finishing on time.

I mean, technically, I didn't. Five minutes til midnight, and I still had 1100-some words to write. I ended up cheating: I took last week's blog post, and added it to my word count in order to surpass 50,000 words. A lot of people do that: literally count all the narratives they write; even if they're non-fiction. To make up for it, and to make sure the NOVEL had over 50,000 words, I stayed up until nearly 2am sleepily typing away. I ended up with 50,883 words! That surpassed what I had when I cheated with my blog post, which was only about 50,100-something.

That's when I majorly screwed up.

See, I wanted an accurate count on my novel for posterity sake. So, here it was, 2am on December 1st, and I couldn't re-validate my novel. I already had all the "winner" bragging rights posted everywhere on my NaNo profile. I had the purple "winner" banner. The 2016 medallion on my author info page was also a pretty purple and said "winner" instead of "participant." I could download a winner certificate, could save the pretty "Winner" banners for both this blog and my Facebook profile. I could get access to the NaNoWriMo 2016 Winner profile picture too. Not to mention access to all the discounts winners receive as "goodies"; discounts to a bunch of cool writing-related programs and instructors that sponsor NaNoWriMo.

Fun side note: the only fully free goodie - the rest are large discounts - was the James Patterson MasterClass lesson on editing. I had a nice chuckle about that since I already have that class, thanks to my Mommy buying me the full class series for my birthday two years ago.

Anyway, I already had all the fun stuff and bragging rights. I knew that while I extended the deadline by two hours, I figured it countered the original cheat of adding 1700 words not involved in my novel. I had actually won it! I could have left things alone, but noooooo, I had to have that accurate word count of my novel. So I manually overrode the November 30th word count; except my touchpad jumped, and I accidentally saved the new word count without all the digits. I had unintentionally dropped my word count below 50,000 words, which had the site recant all the "winner" benefits; putting me back to "participant" status. Even when I fixed the word count to my 50,885 close count, since I couldn't verify the count any longer, the site wouldn't give me back my hard-earned winnings.

The whole thing really deflated me, and killed all the excitement I had for surpassing 50,000 words in a month. A bit depressed, I tried writing to the Office of Letters and Light; the non-profit that runs NaNo.

I'm happy to report that yesterday I received an email stating that they had reverified my word count on their end, and reinstated my winner status for this year! YAY!
Hacker Girl Facebook Sticker
by Birdman Inc
So, let's talk a bit about this challenge. First off, I want to show everyone more-or-less my day-by-day progress.

First up, what my stats screen actually looks like over at NaNoWriMo.org
Look at those pretty purple "Winner" icons!
Isn't it cool to see those spikes in my writing?
My completed NaNoWriMo 2016 calendar. Even with seven sad faces of nothingness, I made it!
14,025 words in three days! Nuts!
Calendar created by Dave Seah
So cool, right? After that craziness on the 30th, I just had to take a rest. So, I've been spending the past week FINALLY reading "The Hammer of Thor" by Rick Riordan.

I have to say, I'm somehow shocked at how topical and kind of progressive this man is. In the Heroes of Olympus he's had openly gay characters. In "The Hidden Oracle" he not only has the gay characters as an adorable couple, but has a blatantly pan-sexual character; constantly talking about his two greatest lost loves: one male; one female. In "Hammer of Thor" we're introduced to a transgender/gender-fluid character. He even tried to have his main character Magnus try to empathize with the concept of trangender by remembering a time that he was forced to write with his right hand for a school year, even though he's naturally left-handed. Magnus admitted it's a poor analogy, but I give Riordan props for trying to find a way to explain this experience to his middle-grade target demographic.

When I haven't been working or reading, I've been spending the rest of my now opened up free time to celebrate two birthdays!

Old man is 33 now. :D
We finished last week celebrating my Hubby's birthday with Cards Against Humanity and booze. It was a fun time that included finally officially meeting Ronoxym and Cyhyr's baby girl. I mean, they popped in with her when she was only a month old or so, but she was asleep, and I was busy running a D&D session, so I didn't really get to MEET her. She was so smiley. Apparently she takes after Daddy, and loves meeting new people.

The other birthday celebration included more booze, but a movie this time as I crashed over at Spink's place.
Happy 24th, Spink!
It was fun to cram in so much socializing after semi-neglecting it....

And now, because I'm still a proud little peacock, I'm going to finish up with a few stats that at least I found interesting about my book. You can just stop here if you don't care.

I wrote 26 chapters ranging from as little as 1051 words to as many as 3105 words. My average word count per chapter was 1957 words, even though not a single chapter actually had 1900-some words. Oh, the glory of math.... In contrast, my MEDIAN chapter length was 1804 words per chapter. The official breakdown is as follows:
  • One chapter finishing with 1000 and change
  • One chapter at 1100+ words
  • One chapter each as well for 1200 and 1300 ranges
  • Two chapters ended in the 1470s
  • Three chapters had 1500-some words
  • Three chapters were also within the 1600s
  • One chapter - on the lower end of the median - had 1740 words.
  • Two chapters had 1800+ words
  • Eight different chapters had over 2000 words in them: one each in the 2000, 2100, 2200, and 2300 ranges; two chapters were 2400+ words long; two had over 2500 words.
  • Two chapters - one dealing with Jolene's cheating boyfriend, and the other when she met the brothel madam - had over 3000 words.
  • One chapter had Jolene tackle a dungeon, and that was my longest one at 3105 words.
I even think I slightly improved on my chapter titles! I started off kind of blah and straight forward, but I feel like I got more intriguing as I went:
  1. Finding a Place to Belong
  2. Growing Attached
  3. Falling in Love
  4. First Heartbreak
  5. Rediscovered
  6. Moving on
  7. LIAR!
  8. Meeting the Fox
  9. Winter Smiles
  10. Fox in the Chicken Coup
  11. Life as an Adventurer
  12. Stargazer
  13. Tale of Myrica
  14. Love, Despite Yourself
  15. Here to Stay
  16. Running Away
  17. Remind Me of Someone
  18. Always Forward
  19. A Night to Remember
  20. Harrowing Caverns
  21. Who Are You?
  22. Wine Ruins Everything
  23. Let Me be Your Friend
  24. Breaking Her In
  25. Breaking the Illusion
  26. Parasite
Another stat that amused me was the inconsistent "screen time" of each of Jolene's loves. I originally thought that Jacob - the first and strongest love of Jolene's life; the ruler all others are measured against - would have the most chapters. She loved him the most. She was with him the longest. He was the most important to her. Yet, Searl, a man she's all but forgotten, has the most chapters dedicated to him. Here's the breakdown:
  • Jacob: four chapters;  8543 words covering a NINE YEAR relationship. Jolene was five, and Jacob was seven when they first became friends; Jolene was ten and Jacob was twelve when they realized they had romantic feelings for each other; when Jacob turned thirteen he unofficially proposed to Jolene; right after her fourteenth birthday he announced his engagement to another woman.
  • Teo: three chapters; 5427 words; roughly six-month relationship
  • Parvil: three chapters again, but 5714 words covering the feverously short six-week relationship. There was also about two months of friendship building first, though....
  • Jesan: five chapters; 9006 words. In truth, 1389 of those words were an impromptu chapter telling the mythilogical story behind a constellation, but the remaining 7617 words covered their four-month relationship.
  • Searl: whopping six chapters and 11,815 words. Not too shabby for someone Jolene dated for five months, and really couldn't give two-shits about anymore. I guess he gets extra time because he was her first lover.
While I tried to limit my writing to weekdays only, giving myself weekends off for socializing, I seemed to write fairly close to writing daily anyway. The 50,883 words was actually written within 23 words once you take out the days I failed to write anything for the story. Not to say I didn't write anything at all; just not for the story. Pretty impressive; only missing seven days, and managing an average daily word count of 2212. Of course, with days only having 200-some words; that meant I had to pick up the slack a LOT on other days. End result is still the same, though: