Showing posts with label x-men. Show all posts
Showing posts with label x-men. Show all posts

Wednesday, July 22, 2015

2015 Summer Writing Challenge Week 4 - Magma

I have a nephew! My sister-in-law gave birth yesterday of a healthy and LONG baby boy. I can't wait to get a chance to meet him. It will also be fun to celebrate my nephew's birthday a few days before my own.

Speaking of which, my birthday is tomorrow. It's weird to think that I'll be 31. I don't feel old enough to be out of my 20s, and I have been for a year. My life isn't where I was expecting it to be at this point. However, I do feel like - at least in writing - I'm improving. I'm becoming more determined and disciplined while building an original story.

That being said, ironically I wasn't as successful with reworking Magma as I would have liked. While I didn't have Dom's whole background written down by the deadline a few weeks back, I at least had it all figured out in my head. Neo-Amara? It's three days later and I STILL have holes in her backstory.

Granted, it's not really all that crucial since she won't actually be in the comic all that much, but the real reason I even bothered reworking her is because of Lia. The girl always compares herself to her mother, and so I needed Magma reworked as much as possible so I have something for Lia to compare herself to.

I'm also a bit mad because I was actually on a good routine with rebuilding her. I did a little bit each day. I had the name picked out a few weeks ago. Her physical appearance was fairly quick to type up since Lia is practically a carbon copy of her mom. I knew more-or-less what I wanted her personality to be like. The real things I needed to buckle down and focus on were her powers and backstory.

I had the powers pretty set as of Friday, but I just couldn't figure out the backstory over the weekend. Which makes me nervous about my writing ability yet again, since I think the main reason I couldn't figure it out is due to the fact that I barely saw my husband this weekend. He's my main sounding board and at 10pm on a Sunday night we usually chat about the character backstory until I'm confident in what we came up with. The fact that I apparently can't think of much of anything on my own is a bit discouraging.

I'm also a bit wary of the new power set I gave Neo-Amara. The big thing on X-Future is when Hubby rolled to see what powers Lia inherited she JUST got Amara's. Which means her power set is exactly the same as her mother's; one of the many reasons she's constantly measuring herself to her mom. Well, it was hard for me to keep Lia's exact powers for her mom since the description of her powers is literally copied from the Amara "Magma" Aquilla Marvel Wikia page. The only difference is that Lia's lava/fire form has an obsidian skin coating.

I didn't think that just changing her name and making her Hawaiian would be enough of a change. I needed to switch the powers up a bit more.

To try to figure things out, I started up one of the many X-Men/Marvel themed games that we own. The character that I picked has the mutant ability to instantaneously grow obsidian around his fists to add force to his punches. His powers then evolve to be able to do things such as throw obsidian shards, create an obsidian wall to block attackers, and coat himself in obsidian armor.

Naturally, I picked this mutation because of Lia. However, it did help inspire Keahi's power set. I didn't out-right rip off these powers and go "see? Both obsidian! Done!" However, I did focus mostly on the obsidian armor and being able to throw shards.

I thought about Magma's powers at their core. She's a geokinetic. She can manipulate the ground; typically by moving the magma under the Earth's crust. This can create mini-volcanoes and geysers. She can attack with the lava itself in fireball form. Most importantly, shifting the magma that the crust sits on also shifts the ground itself; creating mini earthquakes.

So, I started off looking up another X-Men character that - fittingly, considering what birthed X-Future in the first place - was a main character in X-Men: Evolution. Namely, Avalanche. If I focused on Magma's earthquake ability using magma, then I could also use some of Avalanche's powers as her core set.

Hubby then pitched that I also use some of the powers he created for the X-Future OC Oswald. He started off as a random background character that Hubby made, and then Ronoxym took him over. Like I did with Willow. Anyway, Oswald's powers revolve around basalt rock creation. He can create a war hammer made out of basalt; that forms out of thin air. He can also cover himself in basalt armor. There was my link back to the obsidian character in the video game.

So, Keahi can manipulate the ground, form rock, and coat herself in a stone armor. There's more to it than that; but I'll get to that when I put the bio in below. Point is, it's drastically different than Magma's powers. Also important, it's believable that Lia's powers are an evolved form. Lia also creates a stone armor, but hers is because she BECOMES the stone, not covers herself in it. Lia can create rock like her mother, but that's because she can manifest lava and then cool it in to the stone she desires. She made a statue to a fallen X-Future character that way. Lia can also manipulate the ground like her mother, but this is based on Magma's original power of using the molten rock to shift the Earth's surface. Lia can also create lava-based fire balls - like the original Magma - as an evolved form of her mother creating rock weapons.

Sure, Lia can't really compare herself TOO much to her mother in the same way now. A big part of her dynamic was that she couldn't form lava bridges or shoot fireballs as far or whatever else Amara could do with the same power set and at the same age. So Lia felt inferior since she was perceptionally behind her mother with power development. Still, there's enough there that Lia could do similarly to her mother because Keahi's powers are technically a downgrade of Lia's. So she may focus on that. "Come on! My mother could do this at my age, and I'm supposed to be more powerful than her!"

The other kicker is that Keahi seemed like the PERFECT name for Neo-Amara because it was the only name I found that was Hawaiian for "Fire." A Hawaiian lava manipulator named "fire"? Perfect! A ROCK manipulator named "fire"? Eh... not so much. Still, I kept it. First, because it's a nice nod back to the original character. Second, it's bad enough I have one pyromancer named Ignatius. Did I really need two people with names blatantly stating what their powers were?

Anyway, below is my still spotty bio for Neo-Magma:
New Name: Keahi (pronounced Key-ah-hee)
Basic Info: Haven't Quite Figured Out Age, 5' 6", 148lbs, Deep cocoa brown hair, and warm honey brown eyes
Powers: Norm-Beast Mind Evoker Hybrid; Sub-category: Earth Summoner
Norm-Beasts have a physical mutation since birth, but can still pass as a regular human; or "Norm." Keahi's Beast quality is her muscles' ability to handle the strain of carrying the extra weight of the granite armor. Her skin can withstand much higher temperatures before burning; causing her almost completely immune to the typical heat of a fire. Her eyes have extra coating to be able to withstand the heat of an active volcano. Her lungs can filter out the toxic fumes and ash of a volcanic eruption. While she’s encased in her graphite armor she can actually stand in lava for up to 30-minutes without harm.
I went over this last week, but as a refresher, evokers can manipulate parts of nature; usually the elements. Evokers have three sub-categories: Charmers, Summoners, and Avatars. Charmers can manipulate their element as long as it's already present. Summoners can cause that element to come into existence. Avatars are technically Tweaker Evoker hybrids because they can transform their bodies into the element.
Keahi is in the Summoner category. Her most basic power is her ability to encase herself in an armor of bluish gray granite. She can cover herself so entirely that it is almost instantaneous full body armor. She can also form up to 50lbs worth of granite that she can manipulate and use however she wishes: ladders, doors, weapons, etc. She can dissipate any granite she forms if she wishes, but she cannot cause naturally occurring granite to disappear. She can manipulate naturally occurring granite to form however she wishes; regardless if it’s more than 50lbs worth.
Her Mind powers come about as moderate telekinetic abilities in regards to manipulating stone; causing the granite to hover or fly to her will. However, she can only manipulate something that has at least a 30% granite component. She can also cause minor earth tremors by either shifting naturally occurring granite already in the ground, or by summoning granite in to the ground and then shifting that. The intensity of the tremor is reliant on both her intention and the amount of granite in that area.
Her powers are also closely tied to her proximity to the earth’s surface. She is most powerful when she’s either barefoot or - better yet - actually has her feet dug into the ground. The farther away from the ground she is, the weaker her control gets. For instance, if she were on a plane she could still form her armor, but it would have to be a conscious act instead of a reflex, and she would have to concentrate to manipulate pre-existing granite. She wouldn’t be able to affect the earth’s surface, nor would she be able to materialize granite. Because of this weakening of her power and detachment from the earth, she gets very airsick if she has to be away from the ground for more than an hour. Depending on the depth of the body of water, the same applies when she’s on a ship for over an hour as well. Mile high; mile deep.
Physical Appearance: Slightly more muscular build than the average woman her age due to the strain of the granite armor she typically wears. Her skin is a dark Hawaiian tan and she wears her hair straight and long; usually between mid-back and waist. She parts it straight down the center and with no bangs. She’ll only pull it back in a ponytail when she’s preparing to fight; to keep it out of her way. She has a round face with full lips. Both ears are double pierced, but she wears simple earrings.
She wears subdued versions of every color of the rainbow, but the most basic form of it: red, but not pink or maroon; blue, but not aqua or teal; purple, but not magenta or violet; etc. Even with more subdued tones, the clothes are heavily influenced by her Hawaiian culture. She typically has nature prints, such as hibiscus or ilima, ivy, or oceanscapes. They also have tribal-like patterns. The clothes are either form-fitted shirts and jeans, or light, flowing, loose dresses. She also wears sandals as much as possible to keep her feet close to the ground. When sandals are impractical to wear, she’ll always choose sneakers or flats to again stay closely connected to the earth. Barefoot is her preferred if it’s acceptable.
She is simple with her jewelry. She wears small hoops and studs in her ears, a watch, no more than two bracelets - usually made from granite - her wedding band with a possible one or two more rings for fancy occasions, and two necklaces: a white puka-shell choker she never removes and a fancier necklace when she dresses up.
This is the image I found to help inspire the appearance of Keahi beyond an adult version of Lia:
I wish she wasn't in a hula-dancing costume,
but this could be a good indication of Keahi's face.
Personality: A bit of a tomboy, but when the time calls for her to dress up she loves it and lavishes in glamorizing herself. She has always been very protective and maternal; even as a child in regards to her friends. She is very optimistic. She looks for the good in people, situations, and the world. She knows that bad things will happen, people will do horrible things, and the world will have dark places. However, she also trusts that good things are around the corner, people will right wrongs, and that each generation will bring more light to the world until the shady darkness is nearly vanquished.
She’s cheerful and welcoming; it’s hard not to be drawn in and love her almost instantly. She’s empathetic and knows the happy balance between being goofy to cheer someone up and being silent so they can just cry. She speaks her mind, but also knows the crucial times to hold her tongue and see where the situation is going. She’s strong and determined, and a leader most would gladly follow.
She refuses to fail completely. Even if she has failed at something, she will give it another try and another and another until she succeeds. She also won’t abandon anyone. It is her flaw. She refuses to believe in sacrificing the few to save the many unless that few is her. There is always a way for her to save everyone, she just has to figure out how.
General History: She was raised on the Windward edge of O’ahu. She always stood up for “the little guys”, and was able to do so by maintaining a popularity in school. She was an athlete, top of her class, and sweet. Most people wanted to hate her for being “so perfect”, but she was just too nice; they couldn’t find it in them to truly hate her.
That is, until her powers kicked in when she was a junior in high school. She took a nasty fall and would have broken some bones, except the point of impact quickly covered in granite. She couldn’t shake the shielded body part off, and when the crowd saw that she was a Glitch, tides turned. While there were a lot that still stood beside her; stating that she proves not all Glitches are bad or scum of humanity. More shunned her and shut her out. She was home schooled the rest of her high school career. She missed walking at graduation or going to her senior prom or senior trip. Always the optimist, she threw her own Glitch-friendly prom for other Glitches in the area and their allies. They then did a weekend surfing trip. As for graduation, her mother got out her old college cap and gown and printed out the diploma. She had all her friends and family around as she gave her valedictorian speech, accepted her diploma, and got pictures taken.
While very intelligent and wanting to advance her education, she was unsure of continuing on to college; worried she’d be kicked out again for being a Glitch. She also debated trade schools for the same reason. Although she had a few good options right in Hawaii, she opted to take a few online courses; in hopes that the schools wouldn’t do a background check and find out she’s a Glitch. In the meantime, she worked one of the beach side bistros that didn’t care if she was a Glitch, or if business suffered because he hired one.
When Keahi was about 19 she met Cody. This is where I go hazy. I still need to figure out this part a bit more. Either way, Keahi and Cody eventually marry and for some reason settle in Long Island. They somehow have a connection to Neo-Kitty and/or Ryder which is why Cody works at the orphanage/school and Lia lives there with him.
Lia is born when Keahi is about mid-twenties? I'm not entirely sure with this too, which is why I'm not positive of her age either...
When Lia was 7 the Ring of Fire became unusually active with earthquakes - resulting in tsunamis - and volcanic eruptions. Other Earth and Fire Evoker Glitches rallied together to try to calm the seismic activity, and Keahi decided to join the cause. Cody begged for her to not get involved, but she couldn’t just let people suffer when she could help somehow. Besides, Neo-Kitty’s family was still in California along with Ryder's friends, and Keahi’s family was still back in Hawaii. She had to find a way to protect them. Cody finally submitted, but wanted to go with her in order to keep her safe; both from natural disasters and anti-Glitches that may attack the group. For some reason they couldn’t leave Lia with anyone or Keahi convinced Cody that it wouldn't be in Lia’s best interest to be without both parents right. Cody stayed with Lia for whatever reason, but sent a copy of himself with Keahi to still protect her like he would. Having a copy on the other side of the country affected his personality slightly, but not enough to impact his parenting.
The Glitches attempting to calm the activity were attacked, but not by Anti-Glitch factions. The copy was killed while Keahi was still fighting. It’s memories returned to Cody; letting him know what was going on while it was with Keahi, but leaving him worried about his wife. He left Lia with a copy this time after deciding he needed most of himself in order to find Keahi. He stayed in the Ring of Fire - although I'm not entirely sure what PART of the area - for a full month searching for her. Eventually he just missed Lia too much, and begrudgingly called off the search.
Keahi is still MIA, and Cody makes an annual pilgrimage back to the Ring of Fire in search for any clues.
I am a bit bummed that I can't figure out more of her backstory, but I trust it will come along eventually.

In the meantime, I'm using my birthday week to finish up work on Neo-Kitty. Still need to decide on a name and sort through the pre-college years of her backstory. Haven't really touched on any of that yet. I better get cracking.

Wednesday, July 1, 2015

2015 Summer Writing Challenge Week 2 - Wolverine

Happy first of the month! Don't get those often with this blog update.

It was a crazy week, but I was able to get the first week of the summer challenge done.

Why was it a crazy week? Well, first and foremost, it was graduation week, and so work was insanity. On top of that, I was rushing around trying to get myself ready for this past weekend.

Why?

This past Monday, June 29th, my mother celebrated 20yrs of being cancer free! My sister has been running around like a chicken with her head cut off since January in order to throw our mom a surprise party this past Saturday.

It was fantastic! First was the initial surprise of the party itself. Hubby had convinced me to hide, and so my mom had another surprise when she finally saw me. If that wasn't big enough, her brother - who lives on the other side of the country - was able to fly in with his daughter - my mom's goddaughter. Mom hasn't seen them in a few years. So, yeah, them showing up a bit late to the party was actually perfect. My poor mother needed a box of tissues.

However much fun this weekend was, it still really hindered my ability to write the past week. Especially since I've been working on a crocheted pillow for my mom. Man, the amount of times I've wanted to state since April that I've been behind on writing because I've been working on that. Of course I couldn't, otherwise I would have ruined the surprise for Mom.

Still, I was determined to follow through with this challenge, which means I had to find SOME time to rework Gambit in to an original character for my X-Future reboot. So, this Sunday I stayed up until 2am - which, technically, was 2hrs late - so I could spend about six hours of researching in order to get my weekly goal done.

So, here is the abridged version of my character rework:
New Name: Ryder
Basic Info: 44yrs old, 6' 2", 180lbs, Brown hair and eyes
Powers: Silver Tongue Mind Glitch
Long and short - he can verbally hypnotize people. However, he can't hypnotize people in to doing something they're morally opposed. He also can't hypnotize other Mind Glitches. He also can't hypnotize people who know the suggestion is false.
Physical Appearance: Typically wears darker colors; mostly black, but does switch it up with browns, deep crimson reds, or dark navy blues. Generally wears tighter straight-legged jeans or casual black slacks. Preferred footwear are lighter boots that don’t hinder his natural light-footing but also provides good ankle support. He also tends to sport either a light, black trench coat or a black motorcyclist jacket. His outfits are generally picked for comfort and the ability to quickly blend into the crowd. He avoids things like piercings, tattoos, or even flashy outfits/accessories/vehicles so that it’s harder for people to remember him and/or pick him out in a line-up. He’s just one of the faceless masses.
It's just easier to show the picture I found as an inspiration to Ryder:

yum.
Personality: Casual, playful, suave, but can be deadly serious when the time calls for it. He’s a bit juvenile on occasion; especially when hanging with his son. Prior to meeting his wife, he was a lady’s man and a bit of a player. Even after nearly two decades, the reputation of being a flirt still sticks with him - as does the reputation of being a “bad boy”; so much so that even his son Chayse is stuck with those labels.
He was also a bit self-centered and narcissistic prior to meeting "neo-Kitty".
Super Brief History: Born and raised in Melbourne, Australia. Realized his powers when he was about 12. Became a promiscuous young teen and progressed in to a trouble-maker; joyrides, theft, underaged drinking, gambling, breaking and entering, etc. He dropped out of school and left home at 17. He used his life of crime to live comfortably until 21 when he accidentally conned a group of crime syndicate members. To save his life he immigrated to California as a refugee. He met Jacob Driver in a poker game. When Jacob's Glitch power failed to con Ryder the later attempted to use his own powers to convince Jacob to pay double the amount he was supposed to. When THAT failed they realized they were both Mind Glitches and became fast friends.
They created a small con-artist group of 20 that they co-lead until Ryder met "Neo-Kitty". When he crashed and burned with her - the first woman to ever turn him down - he became obsessed with trying to woo her. He ended up leaving the life of crime, became legit, and then married "Neo-Kitty" when he was 28. He kept in touch with Jacob, which is how Willow made her way to the orphanage in order to learn how to control her powers.
Now, my mother might be swinging up here for the long-weekend on Friday, even after seeing us earlier this week. Which means I'll be spending a lot of this week cleaning the apartment as well as the crazy work-week leading in to Independence Day. Not much writing free time again, so this will be interesting.

Now, AngelBlood666 requested that my next rework be Wolverine. Luckily, I have him started, and so it's not as much work for this busy week as if I were working from scratch. Downside? I'm having the hardest time re-imagining him as anyone BUT Wolverine. It was a lot easier once I found the above reference picture for Ryder, and when I saw Makoto in K; the inspiration for Iggy. I need to do more research to try to figure out how Neo-Wolverine looks. Perhaps finishing up his build will be easier then. Especially since I'm still not completely convinced that I like the name Mateo. I'm hoping that once I know what he looks like I'll be more confident in naming him.

We'll see how this goes.

Wednesday, June 24, 2015

2015 Summer Writing Challenge: Week 1 - Gambit

Third day of Ali's Summer Writing Challenge over at Writers’ Huddle.

I had until Sunday to figure out what I was going to do for the challenge. I had so many different options and it was really hard to figure out which one to go with. AngelBlood666 suggested using the challenge for a fresh start on my writing. A way to let my brain recharge by chomping down on something new. ChibiSunnie added that I should consider the six-week challenge as an extended NaNo. When I put up the options I was considering on Struggling Writers Society's Facebook page Phfylburt agreed with AB666 and Chibi.

That nearly sold me. Three people thought I should try a completely new project for the challenge. Maybe that was the way to go.

On the other hand, Cyhyr liked my idea of using the challenge to finish up reworking the X-Men characters into originals. Then Hubby chimed in. He knew that I've been working on X-Future a lot lately, and while it may be good to put it on the back burner so my brain could take a vacation from the world build, he also knew it would be dangerous to kill my momentum while I had it. So, he agreed with Cy: that I should stick with X-Future for the challenge.

I had three people suggest I do something knew, but I didn't have any ideas I could write about. I would have had to either use some sort of writing prompt(s) or I'd be spending this first week just trying to figure out what to write. On the flipside, I only had two people say I should work on X-Future more, and I felt it was justification. Sure, I put it to a vote at SWS and X-Future lost, but I just couldn't let it go.

I followed my heart; much like how I decided to put X-Future in a pseudo-cyberpunk futuristic setting. Go where the muse tugs you.

Which means that my challenge for the summer will be to finish up my list of canon characters that I need to rework into original characters.

Via random selection, this week's challenge is finishing up my redo of Remy "Gambit" LeBeau. I have a nice start on him. I have the powers more-or-less redone and I decided that he'll be Australian now instead of Cajun. A bit of a shame since Chayse's X-Men code name is Cajun, and when we first started the game his nickname was Cage. Lia also teased him a bit using the Cajun reference. Things like "Bayou Brain." So, it's a little upsetting that I lose all of that, but even with a lot of other things switched out for Gambit, keeping him Cajun may be too similar to the original. I mean, even if people don't see Neo-Gambit as a knockoff of his inspiration, if Chayse were half-Cajun he would DEFINITELY seem like a Gambit rip-off.

Anyway, picking Gambit does seem like a bit of a blessing. I don't have much free time this week to really work on a character from scratch like I would for say Charles Xavier. The fact that I have so much already figured out for Gambit means I can ease my way in to this challenge. The main things I need are a rough backstory - which I have semi-started - a new name, and a physical description. Now to find the time to figure those things out by Sunday.

By the nature of this blog's mid-week postings, I won't be far enough along in that week's challenge to post here until a few days after the week is done. So next week I'll let you know Gambit's new character work as well as show off this week's mini-challenge: a writing selfie. One of the members of WH already posted hers, and the mug she's drinking from is fantastic!

While this isn't the exact mug she was holding, this was the only one I found that was close:
Found on Zazzle.com
There's also a more stylized one that I found on RedBubble.com
Personally, my favorite is this one:
Also found on Zazzle.com
Alright, time to get back on track. And by that I mean, time to fill up one of the writing mugs I actually own and start thinking about how to finish reworking Remy.

If you have a preference on who I should work on next week, let me know in the comments. Otherwise, it's another roll of the dice to choose between:
  1. Kitty "Shadowcat" Pryde
    • Chayse's mom, Gambit's wife, and the founder of the orphanage
  2. James "Wolverine" Howlett, AKA Logan
    • Lucas' guardian and founder of the arcade training facility
    • He also has some kids on the board, but I don't know if I'll be bringing any of them over
  3. Amara "Magma" Aquilla
    • Lia's mom and Jamie's wife
  4. St. John "Pyro" Allerdyce
    • Devon's dad and leader of "The Brotherhood" - which I also need to rework and rename
    • Love interest of an obsessive and possessive Trish
  5. Professor Charles Xavier
    • Glitch whose essays and speeches and other such teachings inspired Kitty and Logan to create the orphanage and arcade in the first place

Wednesday, June 17, 2015

The Science of Morphing: Now with 60% More Emo Corner!

Yet another week of simultaneously accomplishing a lot and nothing at all.

After reworking at least the visualization of Pyro last week, I decided to work a bit on Devon's mom Mystique as well. It's hard to come up with a new look for a shapeshifter, though. So I focused more on her powers so that she could still morph, but the styling would be original.

Well, semi-original, I'll get to that in a moment.

I came up with a concept I really like - as do Hubby, Ronoxym, and Phyflburt - but it does have a lot of kinks to work out. I thought it would be neat if "Mystique" had to touch whomever she was trying to copy. I then wondered why that would be, and figured she'd need to actually absorb the DNA of the person. Then her cell structure could use the new DNA instead of the one she was born with, and THAT is how she morphs. This would also mean that her cells could "pick and choose" so she could customize her look.

For example, she could keep her body structure, but take the nose from Person A, and the ears and mouth of Person B, and the skin tone of Person C, and the hair and eyes of Person D, etc.

I was so excited about this idea. Then Hubby found an old 90s show on Netflix: Animorphs. For those who didn't grow up in the 90s and/or read the books, the concept is that a group of kids were gifted shape changing abilities by a dying alien. The way to use their ability? They must touch an animal in order to assimilate it's DNA. They can then morph in to that animal for no more than two hours; otherwise they can't revert back to their human form.

I had totally forgotten about Animorphs and how they used their power. I accidentally turned Neo-Mystique in to an evolved Animorph!

All that aside though, the real issue with my change is that Marvel Canon Mystique was simple. She could manipulate her body any way she wanted - in to a big, burly man, or a frail little girl, or a super model, or a hermit with only one good tooth, or even animals - as long as she could keep her body density. So, she could turn herself into a mouse or an elephant, she would still weigh 140lbs regardless. Matter could not be gained or lost while morphing. As long as she kept to that rule - which she HAD to, it was the physics of the comics - she could become whatever she imagined; whomever she imagined.

In putting the "Needs the DNA" restriction on my version of Mystique, I'm challenging her. If she never absorbed the DNA of a Chilean ballroom dancing champion with two different eye colors and a leaf-shaped birthmark on his left butt cheek, then she can't BECOME any of those things. She can use the DNA she does have to get close. If she has the DNA of a Latino, she can use that for the ethnic profile. She can use eye colors from two different DNA sets to get that look. She can use her own body structure to look like a dancer. Don't know how she'd be able to fake the leaf-shaped birthmark, though. Either way, she can't just imagine or see said Chilean dancer and then become an exact copy of him.

I was also thinking of putting time restrictions on to the absorption. Her cells can store DNA copies for, say, six months. It seems a bit long, but at the same time it's a lot shorter than Canon Mystique who would keep the same disguise for YEARS. In the comics, just to name a few, she was a super model, a senator's wife, a journalist for the Daily Bugle, and the deputy director of a government defense agency. Add in the X-Future board where, after abandoning Devon, she ran off to Chili or Peru and took on a non-mutant persona in order to start fresh. There she fell in love with a former X-Men and had a son with him. Mystique embraced her maternal role this time, confident that no one knew her true identity and that her new son Filipe wouldn't be in danger. Then Filipe's powers manifested and she feared it would out her as not only a mutant, but Mystique. She sent Filipe to the Xavier Institute and continued to live in her new identity.

So all that being said, six months may not be all that long for a shapeshifting spy/villain. Yet, it should also be more than enough time for most uses. This time restriction also gave me the idea of her keeping a collection of "DNA samples" such as locks of hair that she could touch to re-absorb the DNA she'd need to keep up a morphed disguise. Or maybe she just really likes having blue eyes and wants to keep that DNA around.

Another idea I had would be for her cells to have limits. In the above scenario Neo-Mystique could absorb HUNDREDS of people's DNA over the course of six months. It seems a bit too vast. So, with this new limits idea she'd have a cap. Having just one other person's DNA "saved" in her cell memory isn't much of a strain, and so she could "store" that DNA for years. However, add another two or three and it's starting to get a bit cramped in that cell. Now each DNA can only be remembered for about a year. Get her up to about six people and each bit of DNA can only be kept for a few months. And the pattern continues; maybe it's every 3 DNA strains, or maybe the numbers change depending how many there are. Similar to the idea I had with Neo-Multiple-Man and his duplicates so that doesn't get out of hand either. Anyway, the point is, if she gets too greedy with DNA absorption eventually she can only keep them for about an hour or two, or it could even be a strain for her to revert back to her original form; difficult to find her own DNA in the sea of others that she copied.

This is my personal favorite restriction. Probably because it is similar to what I came up with for Multiple Man, and so it just feels like they fit in the same universe.

But now comes the REAL trick when it comes to Neo-Mystique. She doesn't just look at and then copy someone like the original does. Canon Mystique likes the look of this man, but wants him to have an 8-pack ripped stomach instead of a beer belly? No problem. Boop, done. Neo-Mystique on the other hand, I don't know how to handle the weight thing. Yes, weight in some cases IS genetic, but your CURRENT weight isn't determined by DNA. It's neat that my version of Mystique never has to actually SEE the person she's mimicking as long as she has a DNA sample; like a glass he drank out of, for example. However, how would her body know what his weight is or how muscular he is or how long his hair is; if he still has any?

Would she be able to adjust the look of her weight to become burly or chubby? If her cells can only manipulate themselves by inserting new DNA where needed, how does that affect hair length or weight? And what if the person had plastic surgery? That's not in the DNA coding either.

Also, she might end up becoming way too powerful. If she's manipulating herself by inserting other people's DNA where needed, what's stopping her from being able to obtain mutant powers that way? The whole point of the story is that mutants have glitches IN THEIR DNA that gives them powers and/or physical deformities.

Sooooo, there's some bugs to work out. Honestly, I really want to get Mystique to work so I can have Devon actually using his morphing abilities in the comic. However, on the boards Ron almost NEVER has Devon use his shape changing, even though Hubby established it as the primary power over flame manipulation. I think Ron has had Devon use it four times over the last three years. Meanwhile, Devon's always playing with his fire powers. So, would it be THAT much of a loss to cut Devon down to just the flame manipulation like his dad, and cut out Mystique entirely?

I guess I'll leave that decision up to Ron since Devon is his character.

Ron might be a bit too busy to figure that out right now, though. He bravely went back to Please, Let Me Explain in order to see the edits I've done over the past month or so since he last checked in. Aaaaaaand this was his reaction....

Ronoxym: Oh, dear christ... I just pulled up PLME. The last time I looked at it we were only up to 19 pages. WTF!?

Uh, yeah.... it's now up to 27 pages. I suck at this whole editing thing.

Ronoxym: yeah. btw, did you know that it takes like 3 minutes to fully load the document right now?

I'm actually going to steal a Facebook sticker for this one since I haven't made a LycoRogue emote for it yet....

Sorry, Ron. I am HORRIBLE with this "brief story" thing! It bugs me too that it's nearly at 30pages already and we're not even done.

Worst part is I don't know if I'm about to make it shorter or another three pages longer. Followers of my blog might recall that I mentioned about a month ago that I discovered a major plot hole in our story. Reworking that plot hole may completely redo six full pages. We may be able to keep bits of it, or none of it, or almost all of it; I'm not sure yet. Then we have the separate section I wrote in an attempt to fix the plot hole. That is another three pages or so, but I hit a brick wall that Ron never meant for me to even get to. So, editing out that part might shorten this separate bit. Which means when we insert it in to the main file of PLME I don't know if it's going to be two pages, three pages, more, or less. And based on how the insert ends will determine how much of the plot holed six pages we can keep. At the very least, unless Ron changes or deletes a lot of what I added, we know the story is currently 20pages long.

So. Friggen. Good. At. This.

That's my kinda-sorta-maybe-maybe not productive week. I came up with a new character rework; kinda. I ran my head in to the wall with PLME and grumbled about how I want to kill it with fire. Still kinda do. And then I spent the last three or four days off in the emo corner because.... writing funk.

I'm once again at the "do I even know what I'm doing" part of my writing roller coaster. We'll see how long this dip lasts this time.

This upcoming Monday, Ali Luke is starting this year's Summer Writing Challenge over on Writers’ Huddle. I want to participate, but I have no clue what my six-week writing goal should be; let alone the suggested "weekly goals to build up to the six-week goal."

AngelBlood666 suggested that I put all of my open projects on the back burner for the challenge. Start fresh in order to re-energize myself. It's a good idea, but I really can't think of anything other than X-Future or Gyateara right now. I'm afraid if I try to do something completely different I'm just going to be pissed that I can't think of anything during the whole challenge.

Then again, a new thought DID sort of pop in to my head while watching the nearly endless promos for Disney Pixar's "Inside Out" movie. Mostly, that I'm a bit bummed that I didn't think of that concept first since a very similar one keeps nudging me every time I see the promos. Instead of personified emotions running around in the main character's head, the main character is a writer and those "little voices" are actually her characters. I know it happens frequently with me and the X-Future Girls: Lia, Willow, and Trish. In fact, each girl almost acts like the emotions presented in "Inside Out": Willow is Joy, Trish is Anger, and Lia is Sadness.... sorta.

I don't know if I can come up with a full narrative with this concept since there isn't really an ongoing plot. Plus, as I mentioned, Pixar is JUST releasing a nearly-identical idea using emotions instead of book characters. Then there's a semi-similar live-action movie that came out years ago about an author accidentally writing a novel about an actual person: "Stranger Than Fiction."

It might be fun to try my hand at comic book writing again. Maybe come up with a new strip script every week during the challenge. Could be fun.

Then again, I COULD use the challenge as a real push to finish a major portion of X-Future world building.

For the reboot I have the following list of Marvel Canon Characters that I need to make original reworks of:
  1. Kitty "Shadowcat" Pryde
  2. James "Wolverine" Howlett, AKA Logan
  3. Remy "Gambit" LeBeau
  4. Jamie "Multiple Man" Madrox
  5. Amara "Magma" Aquilla
  6. St. John "Pyro" Allerdyce
  7. Charles Xavier
And to a lesser extent:
Pietro "Quicksilver" Maximoff - mostly for the dynamic I had set up between him and Trish, but I could transfer that to a completely original character
Raven "Mystique" Darkholme - who is either a major character or not relevant at all; see above.

I already have Jamie more-or-less finished, which leaves six more canon characters that I need to really get cracking on finishing the rework of; some I didn't even start reworking yet. So, maybe I can use this challenge to force myself to rework one of the above characters each week so that they're all done by the end of July.

Which challenge should I choose? I have until Sunday to decide. If you guys think I should lean one way or another, please let me know in the comments.

Wednesday, April 15, 2015

Categorizing My Glitches

Well, here we are at the half-way point of this year's Script Frenzy. I am both happy and not with my progress. On the one hand, I'm back to writing relatively regularly, and I've been really forcing myself to work through some major world building in order to write this script. On the other hand, this figuring out, researching, and comic scripting learning curve has almost halted my actual writing. Here it is, day 15, a week after my last update, and I'm only up to nine pages.

NINE

For those not keeping track, I was up to six last week. In one week I've only added three pages. Go. Me.

It's been tricky, especially when trying to figure out quick visuals to explain a relatively broad and intangible concept. For me it would have been easier with actual video to capture more essence while a voice over was talking. As opposed to one snapshot of the visual I want with a toneless caption attached.

This is one of the reasons I gave up my idea of becoming a director. I'm much better as an editor. If you give me a variety of shots I can easily pick out which one is the best option. I can watch movies and comment on the angles and camera position and how the shot is either perfect, or how I'd be able to change it to something more impactful. Yet, I can't come up with the visual on my own off the top of my head. To me, without any outside help, everything in my head more-or-less plays out like a stage play with a few reaction shots thrown in. It's all sort of one-note. So, it's hard for me to work on this comic.

On the one hand, I am very particular and protective of my mental imaging of what's going on. I need to be meticulous with how the environment is laid out, the costuming of the characters, and exactly what the characters look like - right down to the exact placement of each hair. But angles? Where the mental cameras are set up in comparison to the scene? From what direction and how close the audience is while they are looking in? I'm terrible at figuring that out.

Probably why I'm better at prose. I can just dump the scene on the reader's lap and THEY can mentally picture all the intricate angles that would make up the movie adaptation.

So, you can sort of see my dilemma when it comes to storyboarding a comic book. I want to micromanage how everything works; resulting in the poor illustrator being no more than my extended hand since my own isn't talented enough to execute the visualization I want. At the same time, I have no clue what I'm doing when it comes to dramatic angles and the like, and I would want to give the illustrator all the creative freedom he or she desired in order to figure that stuff out without me.

An annoying paradox, and one I'm glad I don't have to deal with quite yet. I mean, I don't even have the first book written yet, and I'm no where near finding an illustrator. Heck, I'm no where near inquiring for an illustrator. So I guess I can iron out those details some time in the future.

How about the parts that I did manage to iron out already?

Do you recall once upon a time when I showed you fine folks this gloriously jumbled mind map?
Mutant Mind Map

Well, one of the main things I did this week was go through and reorganize this mental ramblings in to a bulleted list. AH! The glorious bulleted list to help categorizing my Glitches all the easier.

Originally, the point of organizing the above mess was so I could easily create a simple chart while continuing to explain what Glitches are to the reader. With more thought, I think it should be presented more as a lesson to one of the new Glitch recruits who has no clue what he is. Similar to the categorizing presented in the movie "Push" - which is where the category concept first came from anyway.

In "Push" the character Chris Evans plays knows he's "different" with his telekinetic abilities, but it's Dakota Fanning's character who informs him of the multiple different categories of superhumans; categorized by the villainous Division organization. Generic clairvoyants are "Watchers". Psychometrics - people who can gather the history of an object via touch - are "Sniffs" since they can "sniff" out a person they're looking for. "Shadows" are people that can block clairvoyancy - such as Watchers and Sniffs - by "hiding" the presence of themself or those they are protecting. Telekinetics are "Movers". Psychic healers - capable of completely healing any injury with only their hands - are "Stitches". A person who can cause amnesia - either erasing just a small memory or someone's entire life - is a "Wiper". "Bleeders" emit high-frequency sonic blasts that can rupture blood vessels; hence the category name. The name of the movie comes from the most powerful category of superhumans: Pushers. They are powerful telepaths that can implant false memories/feelings/loyalties in to someone's brain and force them to bend to the Pusher's will; even go so far as to kill a loved one or commit suicide.

There's one last category of superhuman from Push, and one Hubby and I enjoyed so much we gave the power to Willow's father Jacob: Shifter. A Shifter is more of a minor telepathic ability. They can take an object and make it temporarily appear to be something completely different as long as the basic structure is the same; essentially tricking the eyes as long as the other senses - mainly touch - don't interfere. For instance, the Shifter in the movie took Monopoly money and made a waitress believe it was actual currency. He couldn't, on the other hand, make her believe it was a diamond necklace because the weight and shape wouldn't match the illusion.

Funny side story, this is how Willow's and Chayse's fathers - Jacob and Gambit - met each other. They tried to swindle each other, but found each other out and became fast friends instead. I'm still not entirely sure what Gambit did to try to manipulate Jacob with his hypnotic charm speak, but I know that Jacob tried to con Gambit with a Shifting illusion.

Kind of makes me wonder about Shawn though. If Jacob can create illusions on a small scale, and Willow can make them on a grand scale - obviously inheriting her father's powers - than how did Shawn's mutation manifest  as electricity? Maybe Jacob's wife Meryl has a secret of her own?

Sorry, I went WAY off track there....

Point is, Hubby and I loved the idea of classifications of superhumans - who are basically mutants, let's face it - that he helped me categorize my Glitches too, but I only have five categories as of right now.

I have them called "Species" of Glitch. Then each species has the differing types of powers within it categorized further in to "Classes". Yes, in true Scientific Classification the terms are reversed and have Order, Family, and Genus in between. I debated using the true Scientific Classification method; categorizing all Glitches in to one Family - and possibly find the word Glitch derived from for the family classification - and then break the main power sets in to Genus, and then break the powers down further in to species.

Perhaps I'll have a few scientist characters argue that point. However, the classification is both militaristic and media-based, and so it needs to fit more with what SOUNDS better. It's easier and rolls off the tongue better to ask what species and class someone is, instead of which genus and species.

Another reason for the smallest category being "class" instead of "species" probably has something to do with me being a D&D nerd. I have a lot of characters whose powers are all subsets of one main category. Willow, for instance, can create illusions - which is one subset - and she has telepathy - which is another subset - and she is telekinetic - a third subset. There are Glitches that can only fit in to one of those categories; having one doesn't automatically mean you can do the other two. Because of this, Willow "cross-classes" in her powers. Like I said, I'm a D&D nerd.

Then you have someone like Chayse whose main power is his ability to manipulate kinetic energy - which is a power within one main category - but he also has the physical mutation in regards to his eye color - which technically puts him in to another main category as well. Since he's a mix of two different species of Glitch, he's considered a Hybrid. Now, I COULD switch Species and Class around to the more Scientific Classification formula, but I like the idea of multiple Glitches being able to Cross-Class - otherwise known as "Multi" - but only a few are actual Hybrids. If I were to switch the categories the percentages go the other way.

Speaking of titles for people within categories, let's lay out on the table what I figured out. Keep in mind, long-time readers probably already know this since I came up with these titles over a year ago when I created the above mind-map. I haven't really altered much of anything since then.

Okay, so there are five main Species of Glitch:
  1. Beasts are those with physical mutations. Those that can still pass as human are "Norms", whereas those that are more animalistic or otherwise can't hide their mutation are "True Beasts" or "Were-Creatures"; depending on the severity of the mutation and how cruel the person is who's throwing around the term. Chayse's eyes make him a "Norm Beast".
  2. Minds are the other main category that sprang up at first. They are the psychics; mostly telepaths or telekinetics. Illusions also fall under this category, and so Willow and her father Jacob are Minds.
  3. Evokers can manipulate the four elements as well as light, darkness, and energy itself. Shawn's ability to use electricity, Chayse's kinetic manipulation, Penumbra's shadow fighting, Trish and Devon's pyromancy, and Ripley's water-crafting are all Evoker powers. In fact, as you can see, the majority of the X-Future casting are Evokers; which is one of the reasons I briefly toyed with the idea of converting the story in to High Fantasy and have them all elemental-specific mages. Lia is one of the most powerful Evokers by being a cross-classed Multi with both fire and earth to create her lava powers.
  4. Tweakers manipulate DNA. This has a WIDE array of applications and has probably the largest listing of classes; although Evokers are close given the multitude of elements they manipulate. Lia is a Tweak Evoker Hybrid due to her ability to convert her blood and organs in to lava, and the rest of her body in to obsidian. Her father Jamie is also a Tweaker - which is why Lia's a hybrid - due to his ability to create clones of himself. Devon's shapeshifting also makes him a Tweak Evoker Hybrid.
  5. Finally, there are the Mages. They manipulate physics and the fabric of space/time itself. They are probably the most powerful Glitches, although most of their abilities are only basic in nature. Teleportation, clairvoyance, and probability alteration - based on the Marvel canon characters Nightcrawler, Destiny, and Domino, respectively - are all Mage abilities since they alter reality itself. Someone like Scarlet Witch, Pixie, Magik, and the X-Future character Lincoln are all a special class of Mages known as Sorcerers since they can effectively force themselves to both cross-class AND cross-species by saying spells to focus their Mage abilities.
Like I said, someone who has multiple power sets within the same Glitch Species is considered "Cross-class" or a "Multi". Therefore, Lia would be militaristically classified as a Coating Tweak Fire-Earth Multi Evoker Hybrid. Bit of a mouthful, but it sends the basic message of what her abilities are. Lia herself may introduce her powers by stating "I'm a Tweak Evoker hybrid. I'm a coater and fire-earth multi." Others, like Chayse, may focus on the main power of being an Energy Evoker, maybe going so far as stating Kinetic Energy Evoker. He's technically a Beast Evoker Hybrid due to his physical mutation of neon-lime green eyes with black sclera, but he focuses on trying to pass for human. So he'd most likely ignore the Beast classification.

Now, in my reboot, Chayse's ability to phase is similar to DC comic's superhero The Flash - he moves fast enough to pass through the microscopic air pockets in between the cells of a solid object. Chayse does so by manipulating the kinetic energy within his own body until it speeds up enough to phase. I may change this, though, because it seems to be a LOT of effort for something Hubby tends to have Chayse do a lot.... If I do convert it back to Hubby's X-Future version of Chayse, than Phasing is a Tweaker ability. This means Chayse is a Tweak Evoker Beast hybrid - again, because of the eyes. I haven't decided on a term yet, but being a hybrid of 3 or 4 different species feels like it needs its own name since it doesn't happen that frequently. A super powerful mutant in the Marvel world is considered "Omega Class". So, I think a multi-hybrid needs similar treatment.

Right now, though, I only have the terms "Transcendent", "Ultimate", and "Supreme" Glitch. All seem a bit over-the-top in classification. Especially when the person is like Chayse and would be a typical Hybrid if it weren't for that dip in to Beast territory.

Now, there is a "mythical" or "theoretical" classification of Glitch; think of it as Super Sayian or my version of Beyond Omega Level. It is equally idolized and feared by both humanity and Glitches. Basically, it's a person who is born as a hybrid of all five categories. The terms I have so far for this classification are: "Godling", "Demigod", or simply "Demi". This breed of Glitches is feared due to how massively powerful they could become; a possible uncontrollable force that could enslave the rest of the world - human and Glitch alike.

For those who have kept up-to-date with Marvel comics, my 5-species hybrid Godlings would be at about the same power level as Hope Summers; and is equally thought of as either savior or oppressor.

Because of this, Godlings - if ever discovered - would be fought over as the greatest weapon/driving force of any given extremist group.
  • My X-Men equivalent would want the Godling to demonstrate that even the most powerful Glitch could cohabitate peacefully with humanity.
  • Brotherhood equivalent would want the Godling as a way to cement Glitch superiority over humanity; taking on the new term Preternaturals - similar to Magneto's Homo Superior - for the mutants.
  • Hubby's created extremist group Challengers of Heaven would want to use the Godling as a weapon to ethnically cleanse the world of all normal humans so that Glitches/Preternaturals were the only humanoids left on Earth. Much like how Homo Sapiens survived while Neanderthals became extinct.
  • Purifiers equivalent would want to utilize the Godling as proof that Glitches are dangerous, and that the only way for humanity to survive is to exterminate all mutants.
At one point we had a subplot on X-Future - that never really played out - with similar stakes in regards to Crystal's ability to nullify mutant powers.
  • The Brotherhood wanted her as a way to suppress opposition from the X-Men.
  • Military wanted her for the same reason as The Brotherhood, but on a grander scale. They wanted to recreate her powers so that all law enforcement/soldiers could subdue mutants.
  • Shamed mutants wanted to experiment on her in order to find a way to "cure" themselves.
  • Human scientists wanted her for a similar reason, but this "mutant cure" would be a way to eradicate them, even the ones that enjoyed being mutants.
  • The X-Men wanted to squirrel her away; essentially imprison her - in not so many words - in order to keep her safe from the others that wished to weaponize her. At the same time, she felt they were using her as The Brotherhood would; to suppress attacks from other mutants. The justification being that she was keeping the other students safe.
Anyway, I got a little off topic again.

I made a few other decisions in regards to the character rewrites. I don't recall if I said so, but Amara "Magma" Aquilla - whose name I still have to rework - is now a Hawaiian Fire-Earth Multi Evoker. She still has her lava powers - which is where Lia gets hers - but she won't be able to take on lava/fire form like she does in the comics. Instead, she will have heatproof skin - which explains her ability to SWIM in lava without it harming her - as well as specialized lungs that allows her to filter out the damaging poisonous gases and ash that coincide with volcanic eruptions. She'll probably be similar to Storm's canon backstory: a girl capable of manipulating the elements in order to bring safety to her small village, and she's idolized for it. Might not go as primitive as Storm's African tribe that actually worshiped her as a minor goddess, but same basic principal after Amara stops a volcanic eruption from destroying the town.

Basically recreating the one Amara-centric episode of "X-Men: Evolution", but having Amara live on the island instead of just visiting while on a cruise.

I'm sure I've mentioned months ago that Jamie's new name is Cody. Still haven't figured out too much more about him; like a new last name.

As for Chayse's family, Remy "Gambit" LeBeau - still needs a name change - is going to be Australian, and only has his Hypnotic Charmspeak power along with heightened agility. Chayse's kinetic manipulation is now inherited from his mother Kitty "Shadowcat" Pryde, whose new name is Margaret [Insert Last Name Here]. It's a start....

Since Gambit is going to be Australian, and I don't want too many foreigners from the same place - plus, I wanted to switch it out for the rewrite anyway - Pyro will no longer be the resident Aussie. Flame-red hair and a fiery temper? Seems Irish to me! I was hesitant at first since we already have Tyler and Crystal from the Emerald Isle, but seeing as neither of them will probably make the Reboot cut, I figured shifting St. John Allerdyce to the opposite hemisphere would be a good choice. I'm a bit weary of the fact that I'm keeping the character really close to the original, though. Anyway, I still need to give him both a new name - one a bit easier to pronounce if you're not born in Australia and see it all the time - and a new codename. There in lies the biggest problem, one I faced when creating Trish and one I equally faced when I tried to have Willow come up with a good codename for Devon.

THERE ARE SO MANY FIRE USERS IN MARVEL CANON! Just about all the good fire-based codenames are already being used. The three mildly good ones were scooped up by Trish and Devon. Yes, I said THREE. Trish is Lighter. Then Devon has 2 - his Brotherhood and street name was Arson, but his X-Men codename was Scorch. So far all I could think of for Pyro's new name is Dragon, Salamander, and Flame.

James "Logan" Howlett, AKA Wolverine, is still going through a few rewrites as well. I was thinking of making him Native American, but I think I'm now really leaning towards Latino. I have also been fixated on the name Rafael - Spanish for "God has Healed" which is fantastic since he's keeping his rapid healing power. My only concern is the possible mental connection to a certain Teenage Mutant Ninja Turtle with a similar name. Especially since both wield 3-pronged metal weapons - Wolverine's three adamantium-covered claws and Raph's sai - and have notoriously bad attitudes. It's a work in progress, but maybe the TMNT connection is WHY Rafael feels right for the character.

It's all still just a work in progress. One I really should get back to now that I finally have a day off again, and Hubby and I finished off the Netflix Daredevil series.

Now, if my laptop would just stop MASSIVELY lagging, I would be in business...

Wednesday, April 8, 2015

The Science of Writing a Comic Book

First full week of Script Frenzy done, and I did kind of meh.

To be fair, this opening week was filled with craziness. Namely, Easter. I maxed out on hours the past two weeks and this week is yet another max work schedule. It's nice for the money; not so much for the free writing time. The obvious increase was to prep the store for the Easter rush, and now for the "OMG, it's actually nice outside!" rush.

I just as obviously didn't do any writing on Easter itself. Focused more on the meaning of the day, getting dressed up, eating good food, and spending some time with the in-laws.

Which leads me to yet another reason why this past weekend was crazy:
My niece's 2nd birthday was this weekend; Easter, to be exact. My in-laws wanted to make sure the sacredness of Easter wasn't overshadowed by her birthday, and so they celebrated it the day before. An adorable Hello Kitty-themed party. My sister-in-law even added red food coloring to the boiling water when making pasta salad so the bowtie pasta came out an insanely vibrant pink! So cool.

Best part is, I finished her present in time! Sadly, I missed getting pictures of her and her father playing with the toy - I think her dad had more fun with it - she seemed super excited. I don't know if I ever saw ANYONE as excited to see something I crocheted for them, so that was awesome. A blanket and pillow within her first year - eh, they're not toys and she was young, so I get why she wasn't excited about them. A giant giraffe for Christmas? Well, she was a bit overwhelmed with gifts, but she still didn't seem all that thrilled with it. This time, though, this time she instantly started playing! I think I'm finally figuring out this kid.
The girl LOVES trucks. I blame her dad. ;)
Now to figure out what to make her for Christmas....

All of this craziness doesn't mean I've slacked completely though. I DID write this week. Not nearly as much as I would have hoped and not nearly as much as I needed to be "on track" to hit 100pgs before April 30th, but still.

First of all, writing a script for a comic book - at least the way the Celtx program has it formatted - is a lot trickier business than I originally gave it credit. I can't just create panels and Celtx will automatically spill over pages like it would if I were writing a screenplay or a novel. In other words, I can't just create panels until I run out of juice for the day and then look back and go "Oh cool, five pages today. Sweet."

No, no. I have to calculate EVERYTHING. How many panels do I want on a page? What size/spacing will these panels be? Do any of them overlap? Is there a series of about seven super skinny panels lined up right next to each other in the middle of the page so the action moves quickly? Yup, that means I have to think of the pacing while doing this too.

It's way more involved than a description of the image I want with some dialogue or caption boxes. I have to plot out so much more. It is taking way more time than I originally envisioned. Because of that, I asked for help from the two people I felt knew the most about the subject.

Phfylburt is my walking Marvel/Comic Books Encyclopedia. He loves the medium, and knows so much about both the stories themselves and the structure of them. Imagine you don't really know how to write a good book because you have only read a couple a year. Now imagine one of your friends plows through about three a month and has done so for years. It seems logical to believe that said friend knows the structure of novels inside and out. He's read good ones and bad ones and best knows what formulas are the most successful, which are the most creative/inventive, and which are becoming stale. This is the exact reason why writers should be avid readers as well, so they can pick up on this structural knowledge. Sadly, I don't have the money nor the access to plow through hundreds of comics in order to prepare for this project. Although, in retrospect, I could have done some research for free via webcomics....

Anyway, the other expert I contacted is Chopfe. He's worked as a comic strip artist for newspapers for a little while now. Plus he has a few comics that he posts on his DeviantArt account. He actually DOES this for a living, or at least for some cash on the side. If any of my friends would know how to structure a comic, it would be him.

Well, as it is with most forms of art, the method of getting to the end result is highly individualized depending on the artist. It's also a lot easier to create a comic if you are both the author and the illustrator. Chopfe is one such creator, and so he just needs a rough outline of what he's planning on doing, and then he just goes from there. He doesn't really describe what he's going to draw, nor does he plot out the panelling. He just does it and sees how it ends up. A lot of comic book creators are like that. It's similar to my theory of "Medium" writing. Much like how I only have a vague outline of the story I wish to tell, and then I act like a Medium for my characters. I let them work through me to tell their story. Well, non-script comic book creators do the same thing, except instead of just letting their characters speak through them, they also allow the characters to take over their hands in order to SHOW their story as well.

There's also teams of writers and artists that have complete faith in each other. The author just needs to write a script closer to a screenplay - vague descriptions of environment, action, and character design - and then trust the illustrator's creativity to fill in the blanks and bring the story to life.

Visually speaking - mostly because I SEE my story unfold in my head as I write it - I'm a bit too much of a control freak. I'm a complete "Director" writer when visuals are included; I did the same thing with other scripts. I may let my characters "improv" but when it comes to specific actor looks, set design, and costuming I am a highly involved "director" with my mitts in everything.

On the other hand, I love to purposely NOT give minute details on my character designs when asking friends to draw fanart/commission art renderings because I'm curious how they imagine my characters given the way I describe them in my works. Which is why Willow in particular doesn't quite match my typical image of her in ChibiSunnie's Christmas card for me a few years back.
I love Willow's hair like this, though. <3
Willow Uniform       Cajun
My version of Willow       My version of Chayse

She got surprisingly close to both Chayse's design and Willow's X-Men uniform design...

My point is this. On the first day of attempting to write a comic book I only managed to write ONE page in over an hour of work. And that ONE page had almost 700 words! Most of them describing exactly what Willow, Chayse, Devon, and Lia are all wearing and what they look like - from color and cut of hair to the shade of skin/eyes - as well as some detail of the urban cyberpunk world they are running around in.

On my second go I decided to shift all the character description - minus their age and basic build - to the notes section of Celtx. Once I did that the word count dropped by about 200! Still a BIT wordy for a five-panel first page, but much better to have about 475 words than nearly 700...

I was able to blow through the next couple of pages easily enough, although I DID do a bunch of going back and editing. Unfortunately, much like NaNo, the point of Script Frenzy is to go for speed over quality. To get the story out of your head as fast as possible in order to hit the goal and keep you in the flow of writing. To instill a new habit of daily writing; given that habits take six straight weeks of never faltering in order for them to stick. You're not supposed to edit during that month. Not supposed to delete anything - which is how I somehow managed to rewrite the same three paragraphs right after each other when I did NaNo a few years ago. Editing is for December and beyond. Or - in this case - May and beyond.

So, all of my editing is slowing me down more than the learning curve of writing a comic already did. Still, I strive to get things right the first time. Since Script Frenzy itself doesn't technically exist any longer I'm just using the month as an excuse to write. Screw getting to that 100pg goal before April 30th, as long as I write SOMETHING daily and keep up a moderately steady pace.

Still, I am a bit disappointed that I'm only on about page SIX when I should be around page 26 by the end of the day. TWENTY PAGES BEHIND. Sheesh.

Well, along with the learning curve of "How do I plot every detail out!?" when it comes to creating comic book pages, I'm also doing far more research than I had intended. I knew I was going to need to do some research while I write; I ALWAYS research WHILE writing. I never plot out nearly far enough ahead of time to get all my research done before I start. I really need to work on that.

Anyway, I've been researching things like comic book layouts. Then when I transferred the character descriptions on to the notes section of Celtx I noticed I could also include reference pictures. I got lost for a while because of that. Finding out the difference between combat boots - what Devon wears - and work man boots - what Chayse wears while on missions. I knew that Chayse wore gloves similar to Gambit's - who only has the middle and ring fingers on his gloves - but I needed them to be different and "real world" so the design wouldn't scream "GAMBIT KNOCKOFF" so much. So I spent some time researching 3-fingered gloves; I knew I had seen some in real life SOMEWHERE. I found out that archers wear 3-fingered gloves to protect the drawing hand from cutting on the string. That's cool to know, but the look didn't really match what I had in mind - only the thumb and pinkie bare. I thought "bowling!" but that was back to being too close to Gambit's gloves, and the fabrics didn't seem right. Finally I landed on exactly what I was picturing: billiard gloves! They cover the thumb, index, and middle fingers to protect from friction while using pool sticks. Next up was trying to find ones that matched my mental image of what Chayse wears.

Once I was done wasting about an hour or so researching different actual items that would work as the characters' gear I got stopped by a technical question. Similar to the Fullmetal Alchemist character Roy Mustang, Devon has gloves that create sparks that he could then use to grow in to a legitimate flame he could manipulate. Not wanting to COMPLETELY rip off the manga/anime Fullmetal Alchemist - although Ronoxym swears he didn't even pick up on how much the anime influenced Devon's creation - Ron had Devon's gloves have a bit of flint and steel sewn in to the pads of his fingers. That way when he snapped the flint in the middle fingers would strike the steel on his thumbs and create the spark. While I'm still not 100% convinced this has legitimate real-world applications, considering the X-Future world takes place around 2050 I can pretend technology increases to the point where "fire starter gloves" can be realistic. I mean, there are those gloves specifically designed to work with touch screens, so is it really such a stretch that materials such as striking flint and steel could be incorporated in to gloves over the next 35 years? Eh, it might make more sense to follow a page from FMA and just say the gloves are made from a special fabric.

Either way, my technical issue came up when I had Devon pivot on his hand as he tumbled across asphalt. Granted, without Devon purposely trying to ignite the spark it's not all that harmful to have his gloves spark in such a situation, I still wanted to know IF they would spark. That's when I realized that the whole flint and steel fire starting kit works because the sharp flint chips off a very fine layer of rust off of the steel - so fine the red coloring isn't visible. This chipping off of the protective rust coating exposes the steel - more specifically the iron inside the steel - to the air. Iron can spontaneously combust at temperatures as low as 70-degrees, which is why the newly exposed steel sparks - combusts - as it quickly tries to reform the protective rust covering. It's sort of like our bodies healing our skin.

So, if Devon did scrape the steel thumb of his gloves across something other than the flint on his middle fingers the sparks COULD still fly and allow him to use his powers, but only if the steel was scraped to the point of flaking off the outer protective layer. I'm not sure if a skid across asphalt will do so, but I just opted for "no". Maybe with further research or the encouragement of my future artist - whomever that ends up being - we can have his thumb spark a bit. It would be a could visual, and like I said, the sparks would be harmless without Devon's help to ignite them - or some other pyromancer.

Not quite done with my scientific research for this project - although Devon's fire use ended the opening scene and ended my second day of actual script writing - I had to figure out my next section of the story. Namely, the set up of the world for the reader.

Even more specifically, I was going to give a brief history of evolution and how that "created" the mutants - Glitches in my story - and then the political repercussions that lead to "Kitty" creating the orphanage and "Logan" creating the arcade.

I still need to rename just about ALL of the X-Men canon characters, as well as come up with names for both the orphanage and the arcade. I also need a name for "Logan's" elite group of Glitches that are tasked to protect the orphanage; in other words "the X-Men." Plus, I need to rename "The Brotherhood of Evil Mutants" in to something original and sort of vigilante/street gang sounding.

I have a LOT of naming to do... good thing I'm so good at it...

I'm getting off topic here. Back to the other scientific research. As I mentioned, I wanted to start by giving sort of a refresher course on evolution, which meant I needed one myself. Image wise, I was going to do the generic image the mass populous imagines when thinking of evolution: either the fish that grew legs and became the first amphibian, or monkeys becoming humans. Problem is both images are horribly false in what evolution actually is.

Humans did NOT evolve from monkeys/apes/etc. Which is why the Creationist argument of "If we evolved from apes why are there still apes?" is kind of the equivalent of asking "If you are part of this family tree why do you have cousins?" See, apes and humans evolved separately and equally from a shared ancestor. Somewhere down the line some "missing link" gave birth to two different defects. One grouping of birth defects mated with each other and eventually created a new species. Humans evolved from THEM. The other group of defects mated with each other and created another new species that eventually became apes and monkeys and chimps and the like. The original species we were jointly birthed from eventually died off.

So, it's not a matter of This Fish grew legs and then generations later the tail shrunk and then more generations later lungs grew beside the gills and eventually a primitive frog emerged. So, no, raptors did NOT evolve in to say an ostrich. However, an ostrich became it's own species after a certain birth defect in a past species became prominent in that grouping. Another way to think of it is to think of dogs. Some grey wolves were surprisingly docile compared to the rest of the pack. They were the omegas, the bottom rung and almost the equivalent to slaves or second-class citizens of the pack. Humans took these omegas and kept them as pets. They bred docile wolves together and ended up with more docile cubs in the litter. After generations of breeding docile wolf pups together resulted in more and more docile litters until being playful and friendly became the dominant gene. Same was done with wild cats and foxes. Every pet is just a docile descendant thanks to - in a way - man-made evolution.

Alright, enough with Evolution 101. The point here is showing how evolution works in simple paneled pictures is a lot trickier - and near impossible - than I originally planned. I debated on how scientifically accurate I want my story, especially since Science and History were my two worst subjects in school. They just never clicked with me for some reason. Still, I am an obsessive fan of realism, even in fantasy. If a person can read my High Fantasy or Sci Fi story and go "wow, cool, that could ACTUALLY happen" then I'm good to go. Otherwise I'm too worried that the History and Science buffs will give up on my story due to unrealism. I mean, I'm sort of that way whenever I see video production or writing depicted incorrectly in books, movies, or on TV - although how TV and movies can possibly manage to screw up portraying how a show/movie is made is beyond me....

I'm off topic again, sorry. I know I've been rambling a bit here... It's just been a lot that I had to take in this week, and I guess I just wanted to share all of my hard-earned knowledge with SOMEONE. Back to my point, I swear.

After a day or two of debating and further research I finally gave up on true accuracy. Instead I decided to opt for how evolution was presented by the fathers of the theory: Darwin and Lamarck. Basically, I went the Natural Selection route. The original idea of evolution - the one most people think of and the one that creates the most tension in both the X-Men and X-Future worlds - is that a birth defect turns in to a survival advantage. The ones that survive pass on the gene that allowed them to survive while those who don't have this advantage die off. Thus the advantageous birth defect becomes the species' norm: boom, evolution!

It's best showcased in Lamarck's view on why giraffes have such long necks; an image I decided to use in the comic book. Lamarck envisioned giraffes to originally be built more like horses, but the low grass they would graze on was in too short supply to feed the population. While most starved there were a few that were born with slightly longer necks and were able to use this advantage to reach tree branches; finding a new food source. As the species became flooded with longer-necked offspring - due to Natural Selection - these low-bearing trees became overfed on as well and the same problem as with the grass came about. Thankfully, more longer-than-normal necked giraffes were born and found yet higher branches. This increase in neck due to necessity - needing harder-to-reach food to avoid competing with other animals - continued for generations and centuries - maybe millenia - until the modern-day giraffes came to be. Since nothing else can really reach their main food source there is no real need to evolve any further. So the longer-than-normal necked giraffes don't out-live the shorter-than-normal necked giraffes. The shorter-necked giraffes don't die off and the average neck length stays the same throughout the generations.

There is a very important reason why this particular view - while dated and quite possibly not ENTIRELY true - is best suited for a story about mutants. Mainly because it shows why average humans are terrified of the idea. Not only are they defenseless against the powers of the mutants, but they are essentially Neanderthals to the mutants' Homo Sapiens. Eventually the higher-evolved humans will survive while the lesser will die off - just like the shorter-necked giraffes that starved to extinction. Marvel itself plays off of this by having the character Magneto refer to mutants as Homo Superior; equating them to the next evolution of man that will overtake Homo Sapiens just like Homo Sapiens overtook the Neanderthals.

I lost a bunch of you back there, didn't I? Well, no worries, I'm done with my science lectures. Boy, I should come up with a little Professor LycoRogue icon to warn you guys before I do stuff like that again.

Well, I guess I wasted enough of everyone's time here. I should get back to writing my comic book. I need to finish up the evolution history. I hope to also have some names figured out by my next update. Poor Phfyl is going to have walls of text to wade through in the upcoming week, I just know it....